1 Burst results for "cathy opie"

"cathy opie" Discussed on Design Matters with Debbie Millman

Design Matters with Debbie Millman

07:30 min | 2 months ago

"cathy opie" Discussed on Design Matters with Debbie Millman

"I thought that i would be accepted in society. I carried that. Fear an internal homophobia within me and it didn't happen like legitimately until i moved to san francisco and i was sitting on a curb with my best friend dean at that moment in time dean moser who i had met at a residence club that i was working for my room and board. While i went to san francisco art institute and dean thought i had a crush on him and so dean said cathy. Something i have to tell you. I'm i'm i'm gay and i was like. Oh well i i am too you know. And that was the first time that it was actually spoken. And then there was no hesitation after speaking. What's so interesting to me. In terms of looking at your body of work is despite the difficulty that you might have experienced. And the inner homophobia you did seem right from the very beginning in your body of work to i. Embrace isn't even the right word. but celebrate. Celebrate your your sexuality and your gayness. Yeah no i think that i did but it wasn't right away actually took some time. I mean there was the side person kathy. Ob ride who everybody who is a friend called me calls me cathy by cathy opie published in on our backs magazine not catherine opie so i took on these different kinds of personas i suppose to again create a different compartments of my life and what is now. I guess that's in some ways like having multiple closets in one tiles. And i i think that you know Really beyond being kathy on our backs and celebrating that through a queer culture. It wasn't until becoming a part of act up and queer nation that i decided to make my work publicly about mike awareness. But i would have to say that. A good portion of my work was trying to be very serious street photographer in san francisco and then quickness within my work at cal arts was actually the dissemination and observation of master-plan communities in southern california which i kind of grew up. Been from moving. From sandusky to rancho bernardo pie california and watched that turn into masterplan community. So i think you know. The quickness was always also involved in relationship to how do we fit squirrelled. And you know if there's this kind of separation in relationship to idea of community than how do i portray my community and i think it was a quandary for quite some time. The quadri also. I think began even before you committed to photography as a profession. At at one point after you graduated high school you considered becoming a kindergarten teacher and even went to Virginia mont college to study early childhood education. I mean that's in thinking about the pathways of a life. You were on that. Pathway i was i profoundly love children like i really really loved children and i suppose that's even the other aspect of clearness is. How was i going to become a mom. Because that was always what i wanted to be. Even as a child. I would tell my mom that i was going to have twelve children for some reason that i saw Yeah that would have been too many. Yeah so kindergarten you know. Be a camp counselor for a long time. And i really liked kids so i just imagined that i would be pretty fun. Kindergarten teacher a year into your studies to become a teacher. You call your mom and said. I'm an artist and i need to go to art school. How did she respond. I mean she was both your parents really encourage you to be this kindergarten teacher. Had they respond to you wanting to be an artist. Well my mom was the one who was supporting my ability to go to college. My father was it was financially capable but chose to not financially support my endeavor of receiving a college degree. He kind of believed that when you turn eighteen. You're on your own kind of guy generous now right so so my mom you know. That was hard for her. She actually took a loan off of her car that she owned outright for me to go ahead and move to san francisco and i picked san francisco art institute. I wasn't thinking about. San francisco is being a very gay city. It was just like in california and a really good notable arts school that had like ansel adams and minor white and dorothea laying and the legacy of that program in terms of photography is is actually. Why chose it and mom's supported. She said okay. But i'm only going to be able to pay the tuition kathy. This is a really big tuition. And just so you know in nineteen eighty one. It was about seven thousand dollars a year and she was able to get me all the way through paying the tuition and i did get some scholarship money and then grad school was again up to me so if i was going to go to graduate school than i had to do it on my own. You left san francisco to pursue your mfa at california institute of the arts in valencia. You said that that transition sucked in. What way did it suck well. I was leaving a community. That was profoundly also becoming decimated from aids and i all of a sudden moved back into a very hot off southern california environment in the middle of a master plan community that i had exited when i was you know basically nineteen years old from from living with at home in in powei and to be all of a sudden going from the bay area of this incredible city. And it's the first time. I had ever lived in a city back to the suburbs where it was really hot and i couldn't wear my leather jacket year. Round like i could in san francisco and being kind of newly possessed of my my clearness my being dyke. It wasn't even queen s. I don't even think we use the word. Queer and in one thousand nine hundred five but my my kind of being a dyke and what that meant for me. Yeah and it was even i. Even though i had catherine lord and millie wilson and mazing people around me at cal arts who celebrated that and definitely added onto my ability to understand. Theory and feminism. And you know had. Douglas crimp come through the school enormous about people at that time period. It's still wasn't san francisco. Yeah as a way to cope. You started photographing planned community. That was being built across the road from your apartment which ultimately became part of your thesis portfolio in this work included photographs of quote matching.

catherine opie dean dean moser san francisco san francisco art institute kathy cathy quadri Virginia mont college rancho bernardo sandusky california cal southern california minor white mike ansel adams dorothea california institute of the ar