2 Burst results for "Susanne Beer"
Awards Chatter
"susanne beer" Discussed on Awards Chatter
"You very much for being here for the 464 episode of the Hollywood reporters awards shatter podcast, which we are very happy to be recording here at the scad Savannah film festival. My name is Scott feinberg. I'm The Hollywood Reporter's executive editor of awards and the host of this podcast. We are thrilled to be working with the festival and very thrilled to have the guests who we have with us today. He is best known for the music he's made under the name Machine Gun Kelly, which includes four Billboard Top ten albums since 2012 debut studio album lace up 2015s general admission and two that hit number one, 2020s, tickets to my downfall, and 2022s mainstream sellout. The New York Times recently called him quote the jester prints of a new wave of pop punk close quote. But he has also racked up an impressive list of acting credits under his own name for directors, including Gina prince bythewood, Cameron Crowe, susanne beer, and Judd Apatow. The most recent of which and perhaps the most acclaimed of which is 2022s Taurus, a film in which he plays a self destructive rockstar, which had its world premiere at February's Berlin film festival, screened at April's Tribeca Film Festival, and will be screening here at the scad Savannah film festival, this evening. En route to being released and select theaters later this year. It has earned him at the age of just 32 this year's scouts of NFL festivals, discovery award. And is the beginning, I'm sure of many more great things. So would you please join me in welcoming to Savannah, mister Colson
Fresh Air
"susanne beer" Discussed on Fresh Air
"Man endured. But that, I think, is nonsense. A woman is like a tea bag, you never know how strong it is until it's in hot water. The First Lady is created by Aaron Cooley, and susanne beer directed all ten episodes, which I previewed. Their approach is consistent, but at times confusing. The First Lady jumps among the three narratives, but even those individual stories aren't told chronologically. In each of them, we leap back and forth seeing the first ladies both as presidential wives and as girls and young women, played by younger actresses. As the flashbacks in episodes pile up, so do the insights. The career paths not followed, the sometimes rocky romances, the longtime family dynamics. The downside is that the tales told here not only are needlessly complicated, but frustratingly obvious. At times, it's like a greatest achievements compilation from three different presidential administrations. And greatest missteps, too. There is value, though, in juxtaposing how three prominent first ladies fought to find and use their voices. As when Michelle Pfeiffer, as Betty Ford, addresses congressional wives, the same day as her husband's confirmation hearing as the vice presidential replacement for the disgraced Spiro Agnew. We love our.