2 Burst results for "Nelson Lowry"

"nelson lowry" Discussed on KMOX News Radio 1120

KMOX News Radio 1120

04:08 min | 2 years ago

"nelson lowry" Discussed on KMOX News Radio 1120

"In he and his team out there at like, a do some amazing work because they take these little puppets these characters that you'll see in this movie, and I had a chance to see this person when I went to the studio couple years ago, so he Jacqueline places explorers. That galvanic is pleased linked character Zoe sell donnas in this movie, or at least the voice, and they they moved these puppets ever so slightly, and they take a picture, then they move them again ever so slightly, and there are some times where during the course of a week of work. They get four point three seconds. Four point three seconds of finished product. And I think that's amazing. So that's kind of cool, and it's an amazing art form. And I think you'll see things artistically in this movie that are quite dazzling. But is it a good film? What was your take? I kind of really dug the stomach kind of a departure for like a like this always been a little darker with their animated work. And this is definitely a lot lighter. Fresher until one sequence later in the film, eight deliver some witty lines. In fact, one of the lines in here was truly one of my favorite lines that I laughed harder than anything. I've laughed at in films probably for four or five years. And of course, I didn't have a pen and write it down. And I've searched the internet and scoured and tried to find it. But at the scene at the end where basically somebody says to the effect of hey, stop them. They're leaving. We didn't want them here. But we want them back. You know? And it's it's just the way it is uttered the way it said when you see it in the movie, you laugh as hard as I did I kind of Doug what happened here was it. Perfect. No. But I know it just sitting in seeing it with my daughter when she finished a movie and goes tent, this is really cool stop motion animation. And I'm like, this is my daughter. I love it. She's my daughter. Well, you know, here's here's one criticism that I really liked this movie, and I'm a fan of this studio, and I loved paranormal impair Norman was my favorite movie. In fact, just you know, this because I joke about it a lot, but I had a little nugget that was on the DVD and the the ad for that movie back then because I truly really liking. Chris Butler was a guy who is the co director on paranormal. I think one of the problems for like a coupon the two strings, which was a little darker. They came out Oscar-nominated they haven't had that broad mass appeal, and they have not made any money with their pictures. Now that might not be important. But the criticism I would have of this one is that your daughter's a little older than mine. I don't think for younger kids, and this is just something important for parents to know, it's not a movie for younger kids. I don't think they're going to get it or be as interested. Now, my daughter sat through it. Okay. But I just want to put that out there. There's nothing wrong with people. And this is the frustrating thing to me, if you're an adult, and you don't have kids and you want to see a good movie like last year, we had Wes Anderson's isle of dogs. Brilliant film. Really good. This is another one of those movies that I think he's four maybe older kids and adults. It is a worthwhile movie. I'm going to give it a B. It did not blow me away. I think that I'm still waiting for like at a maybe explode with that big movie that might be, you know, the lock for the Oscar, but this is certainly a worthwhile film. Yeah. It's a solid B for me too. I'm glad to see them work with people like Hugh, Jackman ANZAC help and is a kind of gives them that name recognition that some of the other comes may have kind of floundered a little bit on when it comes to the mass appeal of of people, well one thing I would look at there's a woman named ever cookies the costumes on I met her at like a couple of years ago, and Deborah cook and the rest of the production team guy named Nelson Lowry all these things that you see on Hugh Jackson's character. Like, if you see a jacket, or if you see pants or shoes or they're holding a knife, or they're all real. So these are little tiny props that they put clothes on these characters before they pose them in. It's really quite amazing. So the detail that goes into this work is quite stunning. And they Travis night is the guy who runs the studio. He's the son of Phil Knight who started up that little shoe company called nine Travis also jumped off of the stop motion animation world to direct Bumblebee because he directed Kubo. Got a lot of attention for that Oscar-nominated movie. He went on to make a lot of money with Bumblebee. So we'll see what happens next for for Leica..

Wes Anderson Zoe Jacqueline Kubo Travis Hugh Jackson Phil Knight Chris Butler Leica Norman Doug Oscar director Nelson Lowry Deborah cook Jackman three seconds five years
"nelson lowry" Discussed on The Bancroft Brothers Animation Podcast

The Bancroft Brothers Animation Podcast

04:27 min | 2 years ago

"nelson lowry" Discussed on The Bancroft Brothers Animation Podcast

"And it was just extremely cinematic hint seen a shot like that in a in a like, a film and immediately reacted to it. It was very much David lenient kind of a shot. Lenient? I like that does how you set. Anyway, do you have somebody 'cause I don't ever often hear about it? We talk about the design work and stuff like that. But at like, we hear more about the directors in the animators, and I don't know why that is maybe it's just a, but is there was an art director title here. Well, the production designer who has been at the studio for a long time. That's Nelson Lowry and I've worked with him. He also with him on net from most of the films here. Yes actual. Box. Trolls and carline paranoia n- and Kubo and this okay? And he was involved in the others as well. He's he is that bat that created foresee. I mean, he's fantastic. There is. There's nothing that he can't conceptualize. I think and the the the other thing about him so important, I think is that he has a thorough understanding of the medium he understands stop motion more than more than anyone. So I think that probably is that does inform the production designed to some extent because he knows how we can practically realize some of the imagery that we're creating you know, it's one thing to do. Everyone seen lots of gorgeous concept paintings, especially in all of books, and you know, but it's it's it's a different thing to actually see that on the screen in the final film. And I think more than any movie we've done that's the case with with this movie. A lot of the concept odd is does actually make its way into the movie. And I think that's Nelson, you know, Nelson and a huge team very very talented office in the in the we don't talk about this often when it comes to like, it's. It's interesting to me because I think back of you know, the second goal needs a Disney and stuff the early press was always about animation in China educate, the press of how to DNA nations done, right? Like, it was sort of this resurgence of of animations, amazing, so hard and all that. And now, you're kind of reliving that in a way they're going to the press. Look, how hard this animation is the figurine you could touch it. And it's like in their blown away everything. Yeah. Circles the hair on fire. And then, but but you don't you don't play up your artists a whole lot. I mean, this is just personal you have art of I guess, but like I don't ever hear from these guys oppression artists. Are they a lot of them are freelancers, or do you have a lot of we house? We have a lot of in house and actually with every movie, the we do get a lot of that stuff out the no you don't. Yeah. We in fact, we do hit out. I I am going to reach across this table and slap you dome because I can't. Tony did are asking for. No, no, no. We do. I mean, there's an awful lot of press out there for like as an example, Deborah cook his costume designer. Did you see? Yeah. I haven't seen her done. You've had videos behind the scenes I actually bought from Kubo. There was an extensive amount of publicize in different aspects and different job placements and stuff. And I think there was actually little mini documentary about her work specifically, right? It's quite possible. We we tend to do a lot of those behind the scenes things. I know I have seen one was amazing. I think it was the end of the like the final shot, right? Wasn't using the credits for Charles that intimated the big giant galaxy. Yeah. Yeah. Yes. And there was it was one of night Travis. Thank you. Your boss. Animating the two characters at the end outboxed troll. Yes. That was a and you could see onto on. Yeah. That's an we don't one of those on this movie as well at the tag at the end. Oh, great. In fact, I think the end credits on this movie all the best that we don't. I mean, obviously, I'm biased, but you know, typically, we've done two de animated end credits..

Nelson Lowry Kubo director David Deborah China Tony Travis Charles