19 Burst results for "Joe Walker"
Gilead Sciences stock rises on hopes for COVID-19 treatment
"With regards to that drug treatment. Shares of Gilead Sciences closed up five point seven percent after it reported that patients taking its antiviral drug rim. Desa VIR showed a speedier recovery than patients taking a placebo in a large study funded by the US government our health reporter Joe Walker has more details. People have been watching this trial really closely because it's a large study comparing this drug to placebo and it's sort of the gold standard for the way to do clinical trials. So the idea is. We think that it's the first and best sort of look at whether this truck really works treating Cova nineteen and if it does it could become the first road proven to actually be effective against this disease. A separate study of the drug out of China posted negative results today but researchers there say they needed more testing. Their trial was shut down early. Because it was hard to recruit subjects as the pandemic slowed analysts are still cautioning that the drug is unlikely to be a silver bullet. Obviously it would be really great if this works and cove in nineteen. I think the expectation though at this point is that if it does work. It's not the type of thing that everybody would get. If you've got the virus you know. It's an intravenously administered drug for people who are hospitalized so we can really make a difference in in helping people who are very very sick but isn't sort of the vaccine. It's not a pill so I would just say. Take some caution. There in terms of expectations for the magnitude of its impact
"joe walker" Discussed on KNBR The Sports Leader
"To begin July twenty fourth in Tokyo will be postponed and put off a year now no specifics have been given as to exactly when the games will go but they're going to put them off they're going to be postponed due to covert nineteen that Japan spent twenty six billion dollars on preparations the Tokyo Olympic committee had already sold four point four eight million dollars in ad revenue NBC had already sold one point two five billion dollars in ads of their own so this is a massive announcement for sure now NFL notes the NFL is not going to hold the NFL draft in Las Vegas they're going forward with the draft scheduled for late April but it will not be in Vegas most likely to be held in the studio on a conference call couple football notes today forty Niners have signed linebacker Joe Walker who played last year appears on the cardinals he's a special teamer started eleven games that's it for five speed how boys closing in a nose guard Da'Ron Terrio don Terry poll forty Niners lose wide receiver Emmanuel Sanders he signs with the saints and Travis Frederick of the Dallas Cowboys retires at the age of twenty nine that was a surprise Peyton manning is turned down the Monday Night Football gig once again and tonight would have been game one of the bay bridge series at the Coliseum obviously that is to be closing your half past headlines now back to Tolbert Kruger enteros CKP on KNBR one oh four five nine six eighty.
"joe walker" Discussed on WSB-AM
"And then the rain shower came in a cool things also good news there inside the mind set of a college freshman making everybody feel old on the market our show Joe joins us in Atlanta Joe Walker the program Hey mark how are you know what's going on Joe well I'm saying that all your friends are had kids were entering college or even grandparents wanted you not feel so badly about not having had my my dad was sixty five when I was born and you know pretty old sure I don't I don't mean to sound bad hold on a second go I don't feel bad because I I'm forty five and I'm not ready to have a kid yet I haven't had one yet because I'm not ready to take care of one when that happens very I'll have one yeah well here's the other really cool part about him is that he was born in eighteen ninety seven oh my goodness right you know that to be I mean yeah yeah hi so I can longer I can a kid up to sixty five that's what she's saying sixty five sixty five Chris is up next in the market hello Chris Hey all three are examples you'd be eighteen seventeen and eighteen year old all right so they would have never seen Michael Jordan technical oh wow yeah the only president and a search for them they can recall a George Bush you hope my goodness yeah and the third one and you won they've always though here's one they've always lived in a world where there's been a mark air show.
Canada; Worries about shortage of important drugs
"Sanders is very familiar with the visit Canada drill he started medical caravans from his home state Vermont back in nineteen ninety nine Sanders use the opportunity this time to stress that Canada has controls on pharmaceuticals that drive down prices ones that also drive up literally the queen nice rooms to Canada to buy them but this latest trips have struck a nerve nice from has gotten slams by Canadians on social media for taking their medications the biggest criticism as they believe that we are going to create a shortage shortages are already an issue even at the very pharmacy that nice from and Sanders visit the old Walkerville pharmacy why hello hi this is Jon hi good morning yes it is pharmacist John Gerdes was bringing people up at the register that day like it was good because you know they were very happy and grateful with insulin an issue for you to provides of people that you would normally expect coming into your pharmacy we do our own issues with drug shortages but in doing so far has not been one of them Curtis and other say insolence not actually under threat of running out it's a very basic drug but he does worry because other medicines are getting scarce blood pressure medication from diabetes medication does have gone missing and Canada pharmacies get their drugs through a central ordering system but lately some drugs have become unavailable shortages aren't unique to Canada but hospitals and patients across the country are nervous that a growing US appetite for their drugs could make things worse Joe Walker is with the Canadian pharmacist association one of our biggest concerns is with exacerbating drug shortages in Canada not being able to respond to the demands of both Canadian patients as well as American patients a total of fifteen hospital patient and pharmacy groups have issued a letter urging the Canadian government to protect their drug supply here's the reason for U. S. states have passed measures that would make it a lot easier to import drugs wholesale from Canada and to order them online and last week the White House announced plans to make doing just that easier enter hill is a pharmacology fellow at Liverpool university in the UK he says any unexpected surge in demand can put a strain on manufacturers so you can get drunk shoes to choose sometimes because health source he doesn't order the right amount and suddenly it won't smoke more truck the pharmaceutical industry is totally against price controls they say it's a disincentive to developing new therapies and some companies have simply stopped making some inexpensive trucks that have been around for decades but hill is wary of the idea that lower drug prices could create shortages you look at the systems in the United Kingdom and across Europe which replaces the four times lower than the United States but we still able to produce is supplied is trucks very reliably cannot US population is about the size of California it only makes up two percent of the global drug market so what's this potential mass exportation of drugs from Canada that some health advocates really fear it's not the caravans of patients making the occasional trip across the border Gwen nice from the Minnesota in with diabetes who leads some of these strips can attest on our second trip we had a free fifty five passenger bus going from Minneapolis all the way to London Ontario okay we have fifteen people on that bus they couldn't fill the seats she says people
"joe walker" Discussed on 860AM The Answer
"He's mashed up with the Kuba Caruso hands off to Tajdidi. And he'll flip it here to work. Santa Clara slowing it down on the perimeter fourteen to shoot Martine eighteen in the first half. Fifteen eight Santa Clara Justice long too short off the rim, easy board that time for Marcus shaver, Franklin porter. He's back this shaver. What's it onto the backcourt mate? Joe Joe Walker sporting the headband he'll be easy to spot tonight. Wigan? Border at a whistle and a foul away from the ball. And that one's going to go against Santa Clara's, Willie Caruso down Caruso tonight. Excuse me. David part of that learning curve for Willie. Caruso course, the foul. Trouble on the issues that causes these gala word to move with speed and not reach. It really can be quite cost you to the Broncos if he has been most the anytime in this game on the bench Orland able to get it in swigging driving against a couple Broncos. Other foul called here. Eighty and jayder stint Henrik Jason converging that time. That one is going to go against Hodge. Eighty four Broncos with one ballot piece. Eighty Caruso, Martin and words in oil. If foul trouble didn't dictate that last game against LMU, John that was one of the stories of the game for me. Boy, it really isn't quite frankly, it's the theme for this team. Again, the keeping the bigs on the floor and agricultural has been a huge issue for coach sending and how he manages that rotation on the bench first free throw four Josh mcswegan is no good. And the second one is missed Wigan can't convert on either free throw fifteen to eight Santa Clara thirteen forty eight. I sat. Trey.
"joe walker" Discussed on KOA 850 AM
"Colorado dot Colorado state, one o'clock on Saturday. We'll hit the year at twelve thirty Wilkie. Mark Johnson here in boulder basketball, court left. Trying not to get ahead of myself. Mark for you know, that's always got a little extra juice. No doubt about it. No doubt about it. Felt at one with your twelve thirty year that at work. Jackie. Shaver talbot. Keyboard with a fake water down the lifestyle it, rattles. The guy who is kind and Franklin born. I was kind of an old school shots. His daddy right here. His dad was good player. Will they call? Mckinley. It'll take Cup to jump. Stop wasting up top the name of the right who just checked in angled toward the right side. Looking for Lucas Stilo bouncers the block taken by students over the right shoulder as fiery toppers and by Lucas, he's got nine the bus or on top two. I mean confident right now, Scott. That turnaround jump shot. Somebody from him either violence attacking cord left shared a left lane. What handed uptown swigging back to shape or the left wing up. Switch by Siebert the right side of Walker children Walker rise by Tahiliani groups about the upside. Cold daily on Brown who just checked in that last time out the junior a Grand Rapids Michigan. He's got his first fell two. And Joe Joe Walker. The people that upper left now shooting to pilots Georgia Walker in favor of those are two quick ours. Probably the quickest dot com we've seen. So far. Fourteen fourteen to play and that one nearly broke the backboard here so far. Ricocheted off by June. Substitution a Kuba. Bantu hero using into the first time. What's his name? Who was that? Again. Eero debate. Bodies six nine to forty Molly. Software suck and tossed by Walker. Good hits. And he's got three puffs on top by one. Jalen. Tune in for Colorado gives up the daily umbrella defense Bob with across coach court, right side wide open secret. Head fake goes by fighters. Downtown. Unconscious right now, he's got well, the Basra top fourteen ten he knows it's going. It's unbelievable. The way he shoot it right now. Shaver? Side delivers on the wing got it. With a jab step of a switch picked up by a daddy up top this. And he delivers on the left side. The guards gotta love a high screens shavers. Psych sepsis way. Tavake jab step pulls up for three shot won't go rebound. Even Betty goes up and over his back. He's debate history. Spell number three of Portland possession with thirteen thirty one to play the first half at a four point advantage. What heaven Batty blocks out he's blocking out the sun doubt about half? Dude is enormous. We gotta whistle and a foul away from the basket ball swigging got tangled up with Lucas. Second foul. To four on the pilots. Coach plays the ball dribbles. Opt-out gives high in the right side enabled right overhead up top to Kunz back to native looking for Rick upside the daily on the corner Dalen shell passed out top three ball. Brown. He's got his Alba can't pay the bus route seventeen ten zone officer to ball reversals. Penetrating kicks. Would you gotta move side to side that's helping the bus didn't do very well a year ago. Swigging drive it against daily on the corner post up from twelve nice job defensively. Daily on season going out about court daily coach left side. The freshman drives left lane has both way out of his hands. And I'm swigging. There's a freshman mistake right there up court quarter in the cordless shavers back out south border between the circles to walk overhead pass upside. Jeff tip tries by froze up the runner with the right hand it rattles it pops out. And it was tipped back up at debate. He's got histories point seventeen ten of rebound, by the pilots on the left block. Kevin is way down jab step. He's steps up on the reverse with a white hand big time show, the good footwork. And he laid that big leg over the top. Of the defender. There was no way he could defend after that are not going anywhere. I mean, that's a half an elephant full right there. Shot won't go rebound. He's kept up into backwards. There was a change of possession. It's Attleboro Rebecca as a pilot series down. Walkers got a top of the key. Buffs defense give it up. All the left side of the swiggum. You love them forty eight next to a bowl will have a time out here in the first half of nineteen to dwells tough. Joe Walker high spring shot clock is at twelve in the quarterback swigging for three fires of MRs upper bounds. He's taken by Taylor. Quick pass up court daily on drives into the right side. Pilots down Cortel eons got five plus on top by nine. Call timeout. Wait for the TV bell. He's called the time out. Twenty two to play in the first half twenty one to twelve the puffs are in control how they're gonna make this a full or keep it a thirty time called by the university of Portland. It is a time out. We'll go and take it as well. Buffalo's twenty one pilots twelve eleven twenty two to play the first half. This is Colorado basketball from learfield. This is the Pepsi that your father, drink and your grandfather. Wait, I was your age, we.
"joe walker" Discussed on The Big Picture
"You mentioned Joe Walker and now this movie at you have kind of a really like a crew that you have worked at several Sean Babas and Doc housing. housing as hunting Zimmer at what's it like now to have this sort of this unit as it easier to make these films because of that, yes, I've been working with Sean might be shown bu-but for eighteen years. I've been working with Joe Walker for eleven years I've been working with Hans for seven years now seven years, you'll have a shorthand. Yes is and and also Adam Stockhausen is beautiful manically beautiful guy and Jenny my questions who I just acting met on this pitcher, but she's gonna be with me for life. Again. It's like, it's a band. He's like bringing a band together, and you do the album, and then the talk which is this is Bob as the best. And it's great because you know, you're together you knew how things work, and it's it's a stimulus stimulate each other. And it's wonderful you so you write a song to bring us onto the band, and you start to jam you know, that it's basically like music in off against each other. And those few years they start loving each other. Again, and you start making in the movie someone dropped out this year was was was Michael but has been, but that's how it is. And I wanted to ask you about what it's like to make a film without him. Actually, a good. It's okay. The man, but is I you know, he was doing something else at the time, and we had some great actors in with respect to Michael I love, you know, missed him. Yeah. I was curious as we watching your films this week. It was kinda noticeable what a profound presence. He is in your movie says interesting, he's added, but you know, it's a ten years since hunger. And I'm wondering if how you look back on that experience specifically, and if you feel like you've changed significantly as an artist since then. A change of his and said, no, I hope not it's a very different sort of story telling them what we have in widows store to technique, whatever. You know, if people wanna quit accessible that kind of stuff whatever, but the intention is always the intention. You know, I don't care if I've got interface if it's a coup stick and now going electric, the intention is always the intention. You know, you to Beckett any autism NFS pitcher, I Alba them the intention is the intelligent. Maybe they got more. There's more that say sometime people grow some too, and I'm not afraid of technology. I'm not afraid of how how how you could tell us story, but the heart of it. So the remains as far as soon as you by Michael has been is concerned. I love axes, that's my bread and butter. So you know, the fact that I'm not a look at this with debate look. Availa davis. Look at Michelle Rigas look at Cynthia Riva danika colusa Ryan, Harry's Henry all these guys. I mean robot Davao, I mean, you know, again, you know, exactly. So it's it's about actors and story and how he told the story technique. I loved the camera. I not the whole process of making a movie. So it's not one thing the other and he's just about how you make the movie time. So in order to stimulate an end to end to. To ensure noti-? It's exciting someone you really wanna work with being such a lover of actors, Tom Hanks, and really, I know Tom Hanks and Denzel Washington why why those maybe together that'd be wonderful. Yeah. I just ignored beautiful people on film are just feel that they interesting they've got they've gone it. And they I think they've American pocket..
"joe walker" Discussed on The No Film School Podcast
"Almost use the edit as a nother script writing another draft of a script in a way where he like can actually like look at his movie now and make these decisions will also, you know, he's I, it's a place where you kind of create new material because you know. Luckily on on hunger, we had the advantage that we had six weeks where Michael fast bend had to lose weight. So we're able to cut the first two thirds of the film. And it meant that we could drop a few things from the last third of the film that we get to be short and also few pickup. So it was kind of very useful thing. I think there is. Droit are often feel ashamed or bashful about the re-shoots happened, but I really celebrate them as a possibility sometimes to set something up in the story that pays off later or little story beats. The might just just going to get the scene. Let's what, what, if it was something else, let's try the think outside the box. So my last question for you is if you had any advice to aspiring editors, what would it be? Watching lots of movies. There's nothing more instructive than even Babylon's of very, very useful. I mean, I, you know, I'm always awesome. I system when they don't like film, I said, look, if you didn't have any choice on casting or you know choice of music or something, what would you do with this film? How would you? How would you have made it better? So even a bad one, you can come out and say, well, actually, it would have been really helpful to started this story later, or you know. Sort of cut down on this character on that, or you know, got more of a sense of pace. I think it's kind of intellectual exercise. What would I do? Five sting this movie absolutely watching it with a critical eye from an editor standpoint while you're actually in the really good film. Actually, I don't think about the editing in truth. It's like Publio. Neither wants that bit creaky in some other way. I'm starting to wear all the plumbing, be aware of all the plumbing. And that's maybe how you know it's a good film because you're thinking about it just compelled. See, See, I I do do. great jail. I've had that experience many times watching your films and thanks for joining us today. Real pleasure. Thank you. Thanks for listening. If you could, you heard go ahead and subscribes the new film school podcasts on whatever podcast bought from you use. So you don't miss a single episode. If you really like us, you can go ahead and give us a rating on ITN's. I'm John use go. You can follow me on Twitter. At Jim, underscore, John underscored Jim and you can follow no film school at new film school. We'll see you on Thursday for indie film. Weekly, take it easy..
"joe walker" Discussed on The No Film School Podcast
"But sometimes you know, I had a really good example was I went to the university of your can I had a little master class, and I took a sequence from Shane second feature film I did with Steve and Steve gave me two shots of of. Somebody singing, you know, it's like New York, New York sung as slow ballad. Listen to by Michael fast, Benda's character, and Carrie mulligan singing this amazing song, and but I had two shots and it's four and a half minutes or whatever it is in the middle of film danger zone. There's no plot going on. There's nothing vaunting. And how do you cut these two shots? So I gave him the material and we looked at twenty versions of the thing. And of course about half of them, people like a pool of sweat, trying to cut between one line of the song end reaction to it. So Michael was. Over reacting to every other line. And then I'm in the version. I did have one very simple Cup to him and at a very specific point in the in the song where she saying is up to you New York, and she seems to be looking in his direction. I kind of made it look as it was a very direct approach to him, and his reaction was very surprising. And it's tells you off lot about the two characters that that that choice of where to cart. But actually somebody really outdid me somebody who did a version where they didn't call to Michael at all. I was really impressed. I just got we shot that. Is there any sort of platform that you recommend editors learn on first hand like to what do you use. I came up from film so I did sixty mill thirty five. Then I learnt light works, which was a brilliant platform. And then moved to avid, mostly because you know the majority of of drama job so caught on avid is just a stand gold standard, and it's very robust is particularly, you've got five or six cutting rooms all looking at the same material, and you know it's an industry standard. I, I've not worked on the other platforms and I haven't had too, but it, you know, if it's wet string, it doesn't really matter does it was shot on wet string and if it's a good story. That it's not really the the method is is the story from me. So in the same vein, as the question about, you know, fledgling editors making a mistake, are there a lot of mistakes or is there any sort of mistake that you see time in time? Again, with fledgling directors, that one Pershing them in depose production process? It's hard because you've worked with such incredible directors. I really lucky. Yeah, I didn't know. I think one of the problems. Onto that Tanjile which is on the problems are have television. I did a lot of television were again, I wanted to move out of it. And one of the big reasons was people don't test the films that nobody who hasn't sat and watched the dailies or written the script or produced. It is looking at your cart and there's no naive audience. If you like to watch it and few to measure it success. And I can remember the frustration of that because you know, sometimes in the process you're pushed to be things along, and then we're going to get that then not gonna get a rival, you know, we had a phenomenal. Friends and family screenings from five or six people, and that was really instructive, especially with the film that has a big twist, knowing when did somebody get that we wanted it to be fully God so that you feel something at the end of the film and without really knowing where you are in that story, that ending isn't as emotional as it should be. So you know, we learned a lot from hearing people. We'd just invited to them to come along and bring their baseball bats. Tell us what they thought. You know, the young directors and I just see the great work all the time. I can't see negative. So I just see a lot of kind of new voices and interesting ways of doing things that aren't, you know. I learned from it. Seems that one thing that you did mention earlier in in this interview was that you respected mcqueen's ability to sort of let go of some of the things that he may have shot and.
"joe walker" Discussed on The No Film School Podcast
"To pay the whole film. Right? So it's really nice to have that engagement for it to be handed to give you ownership of that. So then how do you maybe like avoid a change in one sequence affecting the entire structure of the film? Because that's a hard balance. I feel like to maintain the editing room. Are there any tricks that you've picked up throughout your career that have been like red flags when you're making a cut that you think, okay, we'll now this is really affected the entire like Cohn of the film in a negative way. It's interesting because you have to kind of. Be prepared to have a heart stone and really drop maybe even the best sequencing film to make it work coming on know, give you a solid example on Sicario. We had the opening scene originally as written and shot was phenomenal. Seem with Benicio del Toro, torturing somebody to death and then giving him bringing back from death by giving him resuscitate resuscitation only to start interrogating him. Again, it's like such a brilliant seat and it was a heartache, but it was like the biggest effect of dropping. It was empowered. Emily's character always thought the on the great secrets of the successive Sakaria was that you had this viewpoint an outside viewpoint of somebody, moral, looking at an immoral world and discovering it piece by piece. So is very important for me that she encountered Benicio we encounter Benicio through her rather than the. Filmmakers. The hand of God chairing you've been into Alterra and saying, okay, he'll be back. Yeah, right changes the tone of the film to start with her in the back of a van about bashing into a hell yet. And it's I mean that opening sequences incredible like to watch and just, you know, throw the audience in right away. It's very, you know, with wrote to deacons at Benicio. It's really it's a tough call to sort of jettison something that's really a great scene, but you have to kind of stand back in just say, look, the effect of it going to be, how's it can impact your central character to remove it? Yeah. I mean, I had a question written down, which was had you know what to cut. Just such a broad question boy, if you could, if you have an answer to that, what would it be. Suppose the bottom. The base levity cut boring bits. I do. It's like, you know, it's it's made easy for me. I've been very blessed because the two main writers, I recently shoot very economically, you know, Steve and any you know is not sometimes three or four takes its single camera. So you know, Roger Deakins, shoot, single camera on on. Only a few times on Sakari where there would be two cameras, blade runner to only occasionally the stunt material of course, is often covered by many cameras, but for practical reasons. But it doesn't able you to kind of it's already kind of chunked down few. It's had the opposite extreme. I film for YouTube life in a day, which is four and a half thousand hours. So you know, that's a big ratio. But you know you having to find ways of chunky down and and it helps that I've only got an hour and a half material to look at every day, which means can look at everything and I can. I can respond like I almost like a first audience member and follow my hunch as to what they wanna see in how to order to show it. Are there any mistakes that you see fledgling editors make time and time again that you can. Warn our fledgling editor audience to look out for. I don't know. I think it's the temps tation. The obvious one is the people over cop and they. The sort of bashing around between cuts new, never, really. I always like giving people an opportunity to have the feel of pace, but to give people an opportunity to kind of pair into the soul of the main characters and to to, you know, I'm kind of always obsessively looking at the eyes and the dawn of is between at another actor so, and I want to kind of give that get that intensity. And that's the lot of tricks and harbor to make that happen..
"joe walker" Discussed on The No Film School Podcast
"We've very, we screened, you know, one of the great benefits is he had a friend who's working the ICA and they let us use their screening room for it was very, very low budget film. It was one million euros and they spend most of that, I think on the set, right? So we. Have no luxuries. It was just me and Stephen, a small in a damp, cutting them and no assistant. And you know, I just did my own dailies at some points and. But we somebody let us have the screening room. So we shared a screening room basically with cleaners on a Friday morning, and we screened the film a lot. So we were always very keen on seeing how the thing works with an audience of friends and family originally. And that's been a key part of the process with Stephen and also Denny v. know I've worked with free fills dania. You know, it's a kind of grindstone that you you shop on your blades on so you you keep doing this. You keep screenings are a big part of your editing process. I mean, this kind of widows. For example, last night there was a joke. That means Steve thought was really hilarious. But we had three screenings where nobody really laughed. It was like a giggle. Oh, too, but we always thought it was wildly funny. I think one point I said to Steve Louis, can we just saw this Alice? Why don't we just do something. Let's do this really crass cut. Yeah, let's just be really tasteless and see if that gets laugh. And then last night it got the biggest laugh. So you know, that kind of thing, you discover chemically, I'm not so interested in what people right on the sheets. I think that's for marketing purposes, but actually the feel of film in a room. You know when you've got people and you know when you've got things your first thing for that screening, we can say, okay, I've got them gripped by this story and the leaning forward. So for people who may not be able to afford the chance to screen in front of a wider audience, is there still some value in maybe just like sitting in a room with two or three other people when watching it with them, or is that is that feeling still there? When I call to sequins during shoot, then I will cut something, oh, always always marry my assistant editors, come and sit with me and watch it, and I'm interested in what she's got to say, but I'm actually also, you know, probably hopefully not too deserves to her thoughts about it is just the process of seeing it with somebody else is a different. It's a different thing. You can feel chemically, you know when something is working, right? I mean, we, you know, I'm celebrating, I love cinema and I love the process of going to see a film with a lot of people. I remember back in whenever it was seeing total recall with a thousand people in LeicesteR square, and we're all thinking the same thought at precisely the same frame. Game, and I, I love that. That's what I'm thirsting for. Yeah. So what kind of notes do you like to receive as an editor? What are like productive notes from people who have seen the movie. Well, do you mean from Reuters off. Well, I mean, when you work with writer, the best scenario is really when they treat you like an actor. You know, not to spell out the steps, but kind of give e- throw you a challenge and see how you attend to it because we meant to have mastery of this material. I know what all the takes seen all the material and sometimes direct to saying, I wish this wasn't. This is too high blood pressure, the scene I need this just to be a little calm or Nita gentler version of that line. And then you know, you set about try and find it and solve a problem. All I need to get into the scene later. I didn't like the kind of feeling that every scene is starting with somebody coming through door. What can we do? And it's it's, you know, the smallest microcosmic part of editing is the cart and where you cut from one shot to another, but really what's happening. What I'm trying to do is think like. Think slow act forest some fingers busy doing the kind of finding the Cup, but actually also thinking about how you're structuring a sequence and at large, how you try.
"joe walker" Discussed on The No Film School Podcast
"Hey, everybody. This is John Fusco and you're listening to the no film school podcast. Steve McQueen has made some great movies, so Tony villa new. So what do hunger Sicario? Shame, blade runner, two thousand forty, nine, twelve years. A slave and a rival have in common. They were all edited by Joe Walker McQueen, and Walker's latest collaboration. Widows made its world premiere to a sold out crowd at Toronto international film festival. Last week, it's the Academy Award winners. Most accessible feature, a blockbuster high spill with a stellar cast, including Davis, Liam Niessen, Colin Farrell, Daniel, Columbia, and Elizabeth, the Becky, it's almost a certainty that McQueen and Walker, we'll have another surefire hit on their hands upon its release this fall. In our interview today, Joe Walker breaks down the keys to his successes. Common mistakes sees among young enters and his workflow with two of the best directors in the industry. If you're in post production yourself, this could be a very useful conversation. Hey, guys. This is John fuseco. I'm here in Toronto with a very exciting guest today, and that is Joe Walker. One of our dare say, greatest living editors. Oh my God. Thank you. Take it, take it. I mean, your your track record is truly incredible. Probably mention rattle off the films that you've edited in the past decade. Some of my favorite movies are on that list. You work a lot with Steve McQueen who fulfills for him his features. One of those films kinda changed my life as a freshman in college going to see hunger at I f c, just like rocked my world. I didn't know that movies could really like affect someone as much as hunger affected me. It was very terrifying experience, but I guess my first question for you is, how did you get started as an editor? What was what was it like getting that career off the ground? I kind of spent the longest time trying to work out whether to stay music and in bands. And then I started classical composition. That was my degree in the north of England. But I'd always been playing around with him if you want to check it back a long way. My parents had a eight millimeter camera given to them when for wedding present in the in the late fifties, and I got to kind of dissect that and play. I used to buy for my paper round used to buy eight millimeter movies like the keystone cops, and I've had a setting where you could play things really slowly, and then I'd play Wagner really slowly on a record, get depressed. It was like that marriage of sort of town AMIS Cannes film was always there for me. So then how did you meet Steve? What was what was that I encounter like, well, I, you know, Steve was very well known at the time. He wanted to turn a prize for art and he'd made these insulation. So I'd seen one or two of his pieces, but to be on this when I got the call for an interview. I didn't. You know, I'd read the scripts and I did think, well, if they just make this script, it's going to be hunger is going to be amazing, but I couldn't really take he was going to do with it. He didn't come from the sort of, you know. Drama background or anything, and. It was so rested on an a meeting. And in fact, you know, we taught very well and found that we later in the process I found out that we both been raised in exactly the same part of London, which is a suburb dealing. I lived about half a mile north feeling studios probably the most film, you know, famous thing about the place and he he lived about half mile south. So we had a lot in common. You know, we went to the same public library in poverty to some of the same pubs, and we also had an enthusiasm for. You know politics, two degree. And and and for me, hunger was a chance to kind of look at something. I was very familiar with growing up, but I'd seen a very slow point of view. My parents were Catholic and they were. You know, staunch conservative voters, I guess. And to them, the hunger strikers were pouring in. So if felt a really right time for me to kind of very attracted to the idea of seeing more three hundred sixty degree version of this story which Hunga really provides..
"joe walker" Discussed on The No Film School Podcast
"So let's get into a little bit now because in what's been a whirlwind of a week here at no film school, we also have confirmed our plans to head up north to the great country of Canada for the Toronto international film festival. This happened about five days ago and it's on Friday, so I've just been kind of trying to piece together as much as I can in a week. I just want to remind you that marijuana becomes legal next month in, so that's an on Nobre don't care. Okay. All right. Just putting you on the record that it's next month. Not September, Eric. I'm a CBD enthused. By all means. Okay. Well, anyways, it's just gonna be me up there this year after we missed last year, and I'm gonna be loading up on a ton of great interview podcasts that you'll be able to hear throughout the fall to sort of build up our fall program, and it's going to be a good one so far. I've talked lined up with Gianluca Dr cinematographer the breeze around go, Joe Walker, the editor of Steve mcqueen's latest film widows as well as all of his other movies and as well as arrival Sicario and Bladerunner two thousand forty nine. So he does like most of Denise Dylan news movies. This guy is clearly one of the best in the business. That is so cool. Yeah, I'm excited for sure in the air and I were talking a little bit about this, but the way we approach these like the festival coverages, you know, we like to have a lot of below the line people on the show and they don't really get a chance to really do press because everyone's, you know, more interested in Ryan Gosling. And played run or two thousand forty nine or I don't know. I mean steeper. The director. From widows. But you know, we, we love to hear about specific aspects of the film making process and to get like someone like Joe Walker on the show is really awesome. And it's a good conversation school when you when you get their name and then you hop on their IMDB page, right? Oh, wow, they did this this, this, this, this. I wouldn't have known that until they know we scheduled this out. So that's really cool opportunity. But other thing that that is exciting for us and for our listeners is that because of what you said because they don't get interviewed as often their answers are a lot fresher. They have like a lot more to share and they're usually very, like giving with information. They're not sorta over it. Like some of the directors can be, but we are going to be interviewing a few directors including the legendary English director, Mike Leigh who's here with his latest film Peterloo director, Felix van Grogan who is premiering his first English language film. The Steve Carell Timothy Shumba ding-dong starring beautiful boy, which has been. Getting a lot of buzz Academy Award winning director laws, though Nimes who stunned the world with his sobering film, son of Saul back in two thousand fifteen, and I'm sure there's going to be many more joining us will be unfold. So it's a really exciting list of guests to sit down with. A little nerve wracking so names there. That's one of our highest profile lineups yet. I'm so impressed that you put it together so quickly. I was very surprised if you're like, wait, do you know what this is? Four. Okay. All right. As long as you know, it goes to show, you know this podcast. We've we've done a good job of building the rep man. So as I said, it's been a few years since we last spoke about tiff..
"joe walker" Discussed on We'll See You In Hell
"Sadler's very good his death in it yeah but uh but yeah it it bums me out now older people people are age now say oh groceries way cooler and way better through that area but i think that's something that comes with age you know faith no more and primus are both and bogus churn uh i didn't know they were in it but i know they're on the soundtrack i bought i owned to this day that soundtrack for the faith no more song on it because uh that's the only weak get it pat anyway listen were forty four minutes in we haven't even come within a breath of a well that's fine because i imagine we're not going to have much to say here of you're talking about what i thought was the third in the franchise even though i've seen the other three and realized morning of that it was the fourth insidious colon the last key here i mean joe walker's through the franchises a whole very quickly if you would well insidious you when i did and said he has three on here i believe i think we did and i don't think we had a lot of nice things to say uh insidious is a phenomenal are moving it's one of the the better horror movies to have been made in the last fifteen years or ten years whatever it's been stars patrick wilson arose burn their son has a demon attached to him he's in a coma because this demon has this kid trapped in a place called the further uh and patrick wilson has to go into the further and release and safe his son and then you find out the petra wilson had also been subjected to this as a child it's an awesome movie it's scary it's not it doesn't rely on jolt scares there are jolt scares but that's not all that there are there's a really terrifying scene of a old man baby dancing to like nine.
"joe walker" Discussed on KYW Newsradio 1060
"The egos of place linebacker joe walker on injured reserve here's had a neck issue that could open the door for sidney jones to get in the lineup the rookie quarterback has missed all seas of the killies rob but has been practising this week meanwhile brandon graham is out for sunday the defence voters beginning with an ankle problem which is not considered serious and set was usca the guard is this the last two weeks that ankle injury is cleared to return for sunday also in football the jets of announced twoyear contract extensions for head coach todd bowles general manager mike battaglia to hockey will the flyers evac of the ice tonight to take on the tampa bay lightning fires were back to their holiday break last night in florida but really did return until the third period they fell behind three nothing after two frames base hack stole says there's no queues first team slow start doesn't matter what the what the reason is it's not something that can happen uh it's the same for both teams out there lightning have the best record in the nhl seventy six years have denied off their back in action drawn i live plane denver in college basketball today penn is doing battle with toledo early first habits the quakers on top by a score of ted the seven and free ballgames the college bowl schedule one of the third quarter this has been a wild one in charlotte texas ainum leading wake forest 42 41 at the somboon el paso second quarter nc stately arizona state fourteen nothing the music city bogin get underway in fifty minutes between kentucky and northwestern that's sports i'm ed benkin kyw newsradio at next on kyw newsradio facebook's year in review is out.
"joe walker" Discussed on KIRO Radio 97.3 FM
"Passing game here's a challenge for the seahawks defensively is what are they going to do for this three tied in set they'll bring an extra often sablan alignment and keep to tied ends on the field and they know they'll split earth's out and and you know you some isolation oneonones looking for that man a man match up so huge challenge for the seahawks defensively now normally would go into this game and say well at no we feel good about one side of the football game or 25 not suiting up and so it was going to be a challenge covering the entire field versus this quarterback what the other thing too is watching philadelphia their defense not that the production but the cockiness of it reminds me of a young seahawks defense they have some good players in the back fielded in mcleod out and jenkins and they have their having a lot of fun it seems like they're having more funding all double teams that comes with winning but they play with a cockiness on defense that i think will allow them to make up for some things is going to make it really difficult i think for the seattle seahawks to move the ball as well as a point yet you'll give bill schwartz credit their defensive coordinator igor given a lot of praise the filly here in and partly as they deserve it there they've won ten game listen and we can solve them up we they've got they got issues to now there's no perfect team i mean look they're tackles are not great you can get them if we can get him in passing situations and they release all of them there there's some opportunities i think he's been sacked twenty five times i mean it's not like they protect perfect but bill schwartz defensive coordinator they play so sound and there are three linebackers man i'm telling you nigel brad out i would say name bradley bradley a joe walker in and michael kendrick's they are there so fun to watch and they're just good smart football players pattern read all that stuff so just it does remind me a little bit of a cr team that's just flying around well coats and i was watching a game last week forty er game you know we give up some place in the running game and it's because we weren't discipline and you guys were just kinda go on a different gap.
"joe walker" Discussed on /Film Daily
"Um moving on up later in twenty forty nine was not a hit in the united states uh many had speculated that a bb china will come to the save much in the same way that they have for other movies like pacific rim but no the movie has bombed in china chris give us the depressing news right so they were hoping china when save the day for 'bladerunner twenty four nine but it did not happen um it's opening weekend there it made only on i'm saying only unquote works for years i'd be fine with this amount of money but it's the only may eight point three million dollars odds over the weekend whereas you know but against uh geo storm mere which may 10billiondollar says campbell who are actually be blade were from forty nine at the the chinese box office which is a blessing is i i really liked laboratory for nine in but i'm also not surprised it was not just because the first runner was needed either it was a film that you came in a cold here over the years he will discovered it and i kinda thing at as commander with this law to at night a few years before we talk about it but chris you know it 'bladerunner twenty fortynine didn't have in that was a heatwave destroying a whole city true asia added at it were were money also your store you talk about this four hour twopart version of the film what do we know about that right so uh films editor a joe walker.
"joe walker" Discussed on KYW Newsradio 1060
"You might be interested to see exactly what i do not a wolf says he assigned bills abeille pennsylvania break borrowing gamble its way to fully fund the state budget that was passed months ago the white house is downplaying yesterday's indictments of warmer trump campaign chairman paul manafort in two others gates his deputy george w bush george papadopoulos enters a guilty plea after lying to the fbi double is now admits he went toward setting up meetings with russian operatives and is cooperating with the fbi we are working to plead the news watch never stops philadelphia eagles players halloween to kids in me one of the highlights eagles linebacker joe walker dressed as a taco so people are suffering reported predominantly and women quarter one man what it is and how it's managed all news paul the time the dallas cowboys me be without their star running back for a while i just texted his authority at his response was simply and what you're talking about meanwhile i saw that donald trump jr and his brother erik are going to india to launch real estate projects for the trump organization it's all part of a new business strategy called fleeing the country and this is i saw that ivanka trump had a surprise birthday party this weekend because if there's one thing you want to do and everyone's facing that ince's jumping out the.
"joe walker" Discussed on Ross Tucker Football Podcast
"He let him in russia minnelli they have four touchdown passes he let him in rushing with sixty three yards you just very very good and there's just no there's no way around it at this point because here's the thing kerr played well too maker cousins line was getting battered spencer long went out sheriff went out current waves rao at the end morgan moses went out twice and cousins just kept on taken i mean cousin to was thirty of forty three hundred three yards three touchdowns in a pick to pick his arm was hit he was constantly under duress and what maybe even crazier is at least two of those incompletions were drops by terrell prior who's been a disappointment a surprising disappointment in my mind they did get a little bit of production from josh jackson their first round pick from a year ago so that was a good sign for the redskins but yeah man i mean that what the redskins do have is a very good running back added backfield chris thompson who they should get the ball to even more and they also have to rule your attendance and that's their strike and frankly with the eagles not having michael kendrick's in the game and with jordan hicks going down injury they should've if the if the redskins were smart they will go into more too tight end sets to force both najji good joe walker on the field and then just had.