circus? Yeah. Two. The. Ooh. Yeah. Core. Two. The. Yeah. Two. The. Boom. The. The new. Okay, So you work with Hatton on this. He was in Bonn Um, this is kind this really has the great rock group. Um, you know, so So so So. So so you got so go ahead and tell us a little bit more weight and then I had mend You got to on uh, on this track. Uh, he had an I did most of the track, but then we we got will Lee, uh, to play drums on it. So we'll Lee who plays on Saturday Night. Live is one of the best drummers in the entire planet. Um, and um, so the the rest of the album started taking shape. Uh, because I was then writing with different people and, um, you know, with this idea that I was just going to challenge myself and no preconceptions, let's just do this. And then, um, my producer, uh, Paul dozen who has just got an Emmy which we're very impressed with that. Um, he he has his Emmy award in his apartment and every time I go up there, I. Change it to the direction of which way she's pointing just because of that kind of GAL. But um and unethical exactly what maker point this way now. But um, uh, Robert L Smith engineered it and he's pretty pretty genius engineer. And then we brought a different combinations of first call players who are buddies of mine and everybody basically volunteered to play on this record. It was crazy. So we had, uh, in one one Um, formation on three or four the songs we had Sean pelting and will Lee, uh, who played base on on Letterman. And um, Ben Butler, um, on guitar who's a monster And uh John Colbert who I co-wrote the title track with place piano, he's and keyboard. He's amazing. 'nother track we had, um, liberty DeVito by now liberty. Yeah, He's show.