A Look Back at '2001: A Space Odyssey'

Automatic TRANSCRIPT

Wasn't step to blow your mind. My name is Robert Lamb and Joe McCormick and Robert. Do you remember about seventeen years ago. How disappointing it was that? The year two thousand one was not like the year two thousand one in the movie. The two thousand one a space odyssey. Well certainly it did not resemble the nineteen sixty eight film. Two thousand one space Odyssey did not resemble that that vision of the future. Not Not exactly. We were not not traveling. We didn't have a moon base. I I want my milk. Carton of corn destructor Straw. Well that can be arranged if if that's if that's the definite futuristic experience you're looking for but yeah this is the this is a classic science fiction film perhaps the League Classic Science Fiction Film. I mean you can. You can certainly make the case for other pivotal works of sci-fi cinema but Stanley Kubrick and and Arthur C Clark's two thousand and one has a film that has stood the test of time inspired countless other sci-fi visions. And and and yeah definitely gave us this sort of benchmark to look for in the future so the reason we're talking about two thousand one space odyssey. He is because this year. That movie is actually fifty years old. Yeah it's hard to believe it half a century old. It was released in April. The one thousand nine hundred sixty eight and so because of the fiftieth anniversary because the movie so endlessly fascinating to talk about. We thought we would vote today to a discussion of two thousand one the film itself. It's ideas and its legacy Robert. How old were you when you first saw two thousand one? ooh I saw it when I was pretty young so I don't have a very very concrete memory of it. I think my dad he either he had headed the H. S. copyrighted playing or it was on TV. I'm not sure but I'd I'd say cu maybe eight or something. I'm not sure about Barack being a very interesting film to watch because it was it. has this dream like in quality to it. That is is there no matter. What level of a awareness You're approaching with viewer. You know whether you understand the more complicated science fictional or philosophical aspects of its message. They're still this hypnotic quality to the film that draws as you in I have a weird question about it I wonder if a kid For whom the plot pretty much goes over their head actually understands the the movie better than an adult who can grasp more of the content of the plot because the movie is in many ways. It's almost almost like a more like a painting or like a work of art that is radically open to interpretation where the stuff that the characters do. Well I'm not so sure that it matters as much as more the kind of visual themes established in the questions raised by you know the the spectacle gold before your eyes. Yeah the spectacle is Is a huge part of it. I actually was tempted. I I'd I thought well should. I let my six year old seat at least part of two two thousand and one I am just see what his take is on it and I did not quite get around to to to performing a test of that sort But I have a feeling he would be drawn in by the visuals for sure. Just thinking about the visuals alone. It's hard to believe this movie's half a century old. Like we were saying a minute ago. It still feels so weird and so fresh and so intellectually adventurous. Apparently you know when it premiered. One of the things about the movie is that it's it's mostly silent. They're only actually very limited parts of it were characters are speaking to each other. And according to the stories about the premier the first audience is just Hayden. Hayden not everybody. There were some people who saw okay. This is revolutionary something very different and new and original is happening here but a lot of the Hollywood hotshots shots who were in attendance just hated it There were tons of people. Walking out of the theater. Allegedly Rock Hudson walked out saying out loud. Will someone tell me what the hell this is about. Talk it's interesting because it is a film in which a lot of stuff does not happen. A lot happens. It's a film that that that kind of sums comes up the scent of humanity and where humanity might go beyond the beyond our planet but at the same time every any time. Something seems to be happening. We kind of get a cut. The scenes where characters are having pivotal discussions about what's happening is becomes just sort of a staple of so many other film like most films are missing. The murder that occurs to in the film is not actually seen so it. When you're watching two thousand one space odyssey there is almost this sense that someone is messing with you by removing these key? Bits of information. That should tell you what you're supposed to think about well. I can understand people hating it at first because it is in a way an intentionally challenging film it's it it goes against narrative conventions in a very Deliberate Way and another thing about it is just. I'm not usually a person to call out special effects. I as a thing I love about the movie but the visual effects in this movie movie are just unparalleled in so many ways. They look astonishingly realistic for for a time in the nineteen sixties when we hadn't even been to the Moon in yet when this movie was made we had not been to the moon. Space photography was very limited. So it's amazing. They could get something looking as accurate to the experience of outerspace as as they did. But then at the same time it so D- realized so monreale and It has almost kind of a Dario are Gento kind of quality though. Of course predates are Gento. But I mean like the you know the strange lights and The way the colors color our moods. I it's so oh good I'm glad Argenta did not directed by the way is very different than the monk. The the the the the dawn of man sequence might have been similar but The yeah the special effects in this film are just so breathtaking. I feel like if anyone out there is wondering what is it like to watch two thousand and one a space odyssey with Robert Atlanta. It's like every five minutes may saying aloud. Why can't we make? Why don't we make movies? That looks like this now. Why can't why can't why don't spaceships look like this anymore? Films and basically they don't look this good in anything else for instance nineteen seventy-two silent running another one of my favorite sci fi films was directed by Douglas. Trumbull who worked on two thousand one worked on the effects and silent running looks fabulous but it. It's not as pristine as two thousand and one in garbage can point to a lot of different reasons for that. But then there's you know you can. You can say well. These other films were not directed by Kubrick they. Maybe they did not have the budget. They didn't have the right key key. Artistic people in place this kind of perfect storm of creativity and intent. But but but you end up with this film that yeah just look so unlike unlike anything else and every single frame of this film I feel like you could you could print out and you could put on the wall and and no one would question the choice. It's also somehow a movie that many people I think have tried to copy and been unable to. It's a movie the style of which is uncopyrightable In my I've talked about this a bit with my friend Dave. He's he often points out that you have the the sequel to the two thousand and ten which which correct Kubrick did not direct came out in the eighties. Oh who was the guy who directed two thousand ten who is the same gentleman and directed outlandish alcohol Peter and not just outland. He made time cop. Oh The guy who made two thousand ten made time cop was interesting just if you just look at the trailers the between the two and you see just to start different because on one on one hand you have again the pristine white you know. Almost hermetically sealed all edible seeming. Like you feel like you could just crowd bite into the white chocolate goodness of the spaceships in two thousand one space Odyssey and then by two thousand ten everything is industrial grimy and not just the says the order of the day was the not only the sets but also also the character interactions because suddenly it's not this this very subdued performance limited interaction limited discussions between characters. No you have Roy. Scheider Heider Running Center Mayor Not Mayor of Amity from Jaws Chief of police. Chief Brody. Yeah chief Brody's just right up front getting into you know loud our discussions with with all of the characters We're GONNA need a bigger space craft

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