Dick Johnson, Kirsten Johnson, Kristen Johnson discussed on Filmspotting

Filmspotting
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Locum to film spotting a couple of weeks back are overlooked. . Oh, , tours. . Marathon had raving about Shantelle Ackerman's John dieleman movie about a woman who hardly left her home this week we returned to the marathon with Barbara. . LODEN WANDA WITH JOSH allows us to wonder what may have happened to John Dieleman if she just walked away and left her good for nothing son to make those. Veal . cutlets for himself while there that is a thought experiment though John and Wanda very different people i. don't . know if it would have gone down just like this very different people very different films that marathon review of Wanda coming later in the show. . But First Kirsten Johnson's Dick Johnson is dead a gift to her father and anyone who has a loved one struggling with dementia. . She Kills Me Multiple Times. . Resurrected Day. . Did that. . But now it's. . The beginning of his disappearance. . A eight most about my memory loss is it hurts people's feelings. . Pena that you woke up in the middle of the mate last night. . Fully dressed. . Remember. Any . of that. . Yeah. . What can we do that? ? Everybody has sort of prepare because everybody dies watch too much for that. . After more than two decades as a prolific cinematographer shooting her share of relatively straightforward documentaries, , which isn't to suggests boring inconsequential but more traditionally fly on the wall Kristen has now directed to inventive decidedly unconventional ones. . Two Thousand Sixteen camera person was a memoir comprised exclusively of footage shot across the globe eighty six different countries Johnson filmed in I believe is the count the content was, , of course, , deeply personal, , filmed and curated as it was by Johnson though only explicitly. . So in home movie clips of her twin toddlers playing with our camera and scenes over mother suffering from dementia. . Her latest could be called the act of killing Dick. . Johnson due to the way she employs fantasy sequences to tackle tough truths as Joshua Oppenheimer did with his twenty thirteen doc about mass killings in Indonesia during the mid sixties. . Johnson, , the daughter and filmmaker is more upfront. . This time we only hear her voice over we occasionally get to join her inside the closet over New York. . City. Apartment . she records it on an iphone and she's almost as much an on camera presence as she is a behind the camera one affectionately sometimes quite emotionally interacting with their beloved former psychiatrist father battling dementia like his departed wife before Him Josh. . Rated Camera Person One of your top ten films of two thousand sixteen calling it an intensely moving and provocatively personal consideration of what it. . Means to carry a camera especially in a world that is seen great suffering. . We've established how Dick Johnson is dead is more expressly personal than camera person, , but it also might be a more provocative consideration of what it means to carry a camera in a world in a family that has seen great suffering not that Kirsten Johnson necessarily crosses the ethical lines and putting her aging father. . Through the ringer staging, , sometimes playful, , sometimes gruesome death scenes for her own Cathartic Purposes I. think . we can probably forgive the time. . He soberly complains that shooting in the cold on a Manhattan street while covered in fake blood is even more painful than when he had a heart attack. . But how much is this exhausting process actually helping him to process the inevitable and does that even matter? ? But now it's upon, , US Kristen Johnson says in her opening video the beginning of his disappearance, , and we are not accepting it as viewers. . We can't really ever know whether making this movie Got Dick or Johnson any closer to acceptance, , which you can't evaluate Josh is whether experiencing Kirsten's death affirming stunts, , brought you any enlightenment or at least enjoyment

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