Karl Pfeiffer, Dana, Hallier discussed on Coast to Coast AM with George Noory


Okay, she she tends to pull terro on most. Every investigation we ever go on because regardless of what you think about it kind of makes you take stock of the situation at hand in think think a little bit differently. Does the tarot for you? Dana have you change events or the way that you were going to do something. I think absolutely. It has for me tells always in this really great tool for paranormal investigation because it gives you insight into something that maybe you don't necessarily have quite on the surface at that point. And. Time. So it's really a great tool for me. And especially throughout the investigation, and I use it quite a bit in Hallier when we get two points where we're sort of just looking at each other going what direction. Do we go next, and it can tend to be this really great conduit for kind of pointing us in the right direction. I'm constantly using tarot. Our investigation, lots of compliments on the videography of the documentary who shot the thing this actually, the the reason the whole project happened was because of our friend Karl Pfeiffer was a incredibly talented videographer and editor he's the guy who he heard me talking about the case. And as I was talking about the case, he was he was listening, and he watched our our website automatically random tweets something about the case that crazy synchronicity. And so he he really pushed in product for it. And he made it look just beautiful used. Wide angle lenses on it cinema cinema cinematographer that you've never seen in one of these types of projects. Now, the fact that you're working on season two tells me that you're not complete yet. It's not finished. There are so many dangling threads. There's there's a there's so much more to investigate again. You know, Hellier is just the start. It's just a prologue. And even in just know, we shot this in two thousand seventeen people are just seeing it. Now, it's only been out for a week the amount of information that we've been able to gather since then is staggering. And I think people are going to be shocked at the things that we've discovered in that time, what would you hope to accomplish? I think for us. I mean, we really went into this project with the idea of creating something that sort of push the Brown boundaries a little bit because of the nature of what we're investigating. It's a bit abstract and strange, and so really from everything from the way that it looks to the pacing of it. We really wanted to kind of challenge sort of the paranormal television tropes, and the things that have been set in place for many years. And so our our hope is really that it inspires people to make their own projects, and it inspires people to get out there and investigate. And and, you know, do it with with that kind of passion is really palpable. Historically, how old is this area. Oh, I mean, it's it's from the coal, boom. One of the things that we found out while we were investigating is many of the roads that we drive up only exist because they were roads that led to the old vine. So it's it's fairly old. And the other interesting thing is.

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