Stay Lauder, Carl Sagan, Danielle Weisberg discussed on Skimm'd from The Couch


Hey everyone it's currently this show might sound a bit different today because the scam is still working from home for the time being due to cove nineteen. . Today Misty Copeland joins me and skin from the couch she the most famous ballet dancer in the world she made history when she became the first black female principal dancer with the American Ballet Theatre. . She has also a bestselling author philanthropist and advocate her new children's book. . Bun heads comes out this September mystique. . Thank you so much for being here. . I am so excited. . To, be , talking to you welcome to skin from the couch. . Thank you so much. . I'm really excited to. . So I was kicked out of ballet at age four. . So naturally made sense that I. . Did this interview with you very excited for a cer- bond over all things ballet. . So we're going to start how I like to start all interviews with just skim your resume. . I started bollywood thirteen years old. . It was not something that I had thought possible or knew anything about a my stumbled into it was discovered at my boys and Girls Club, , the local community center across the street from public. . School in San Pedro California, , it was there that my valley teacher taught me my first class on a basketball court and she told me I was a prodigy after an hour of working with her she ended up inviting me to train with her in her studio on full scholarship and I ended up moving. In . with her and her family to be able to train lean tensely for the next three years I trained for another year and a half at a different studio. . By the time, , I was seventeen about four years of training. . I was living in New York City dancing professionally for American Ballet Theatre I went on to dance as a quarter ballet member for seven years I was the only black woman in American ballet theatre for the first decade of my career I then went on to become the third black female soloist in their history. . In in two thousand, , fifteen I became the first ever black principal Ballerina. . Ballet, theater , now, in , their eighty year history found a lot of incredible opportunities along the way amazing opportunities for endorsement deals things that you don't typically see ballet dancer getting the opportunity to do <hes> estee lauder in Saco in. . Getting the chance to perform with Prince and Taylor. . Swift. . I've had a very diverse career adding author to it. . Extremely excited that I have the opportunity to. . Children's books along with other genres but I'm really excited about this upcoming book on heads. . I just got the book and it's fantastic. . So I'm very excited to give it to people as gifts. . Obviously you've lived in the public eye now for many years and you have a lot of fans especially, , it's Kim H. Q.. . What is something that your fans don't know about you something we can. . Google. . Recipe Ah. . So this is proof of this. I'm . I'm probably one of the clumsy as people we recently moved into. . Will me my husband bought a home and amazing designer newly renovated everything and yesterday I was enjoying my Sunday with spicy crab kind of jump Eliah and I tripped over the carpet in spilled the whole thing on our Blue Velvet Sofa and how did you have an emergency let cleaner come in and clean like deep clean. . The entire thing I am very surprised you. . I would. . Never Clumsy. . How can you be a clumsy Ballerina I think there's something that happens when you're not on stage you're not in the studio where you're so focused. . So much of the time on I mean naturally I'm coordinated but I'm there's just so much focus on my body that when I'm not having to do it I feel like I just completely let go I. . Think the title of Your next book should be the Clumsy Ballerina just putting that out there. . Yes. . Next Children's book. . I WanNa talk about your childhood. . This career podcast, , we talked to you so many amazing female leaders at the top of their respective names and obviously so much who each of us are because of how we grew up and the mark that are our parents family structure leave on us, , and that informs how we can go out into the world top. . Tell us a little bit just about your childhood and what it was like growing up. . Yeah I mean absolutely shaped informed how I saw the world and approached everything that I did I was born in Kansas City Missouri, , which a lot of people don't really know that I was two years old when my mom left my father and took her four kids on a bus. . We drove from Kansas City Missouri to southern California where that was kind of the start of my life <hes>. . That's pretty much <unk> in my memory. . All I remember is California growing up we moved a lot my mother married two more times had to march children my. . Life which is constantly in motion and it was constant. . There just wasn't a lot of security and so I think that it made me into the extremely introverted girl that I was I was embarrassed about the way that we lived <hes>. . We didn't have a home a struggled to put food on the table. . I'm mother ultimately ended up raising six children on her own, , and there was just a lot of hiding things. . I wanted in no way to stand out which is pretty crazy. . I ended up in a field where I'm out there exposed in performing for. . So many but but it was on my terms and so when I could, when , I could be a part of something where I could share my voice and my experiences without speaking, , it was exactly like what the doctor ordered. . It was just what I what I needed as a young person in I didn't have arts in my life until I was thirteen and so it was really difficult for me to survive by the time I started dancing. . We were living in a motel just constantly moving from different places whatever we could afford I think that had. . I not experienced. . You know just no stability <hes> a lot of abuse <hes>. . There were so many things that I just felt like I learned to be a survivor and I was just constantly in survival mode. . So stepping into the world of ballet, , it was like peace and balance and security and consistency, , and it was the opposite of what my world was in. . So I think that's one of the reasons I was so drawn to it as well as you know I, , think a lot of people look at the ballet world and they think you know it's Mean, , it is difficult to thrive and to be successful in. . All the hardships I felt like if I can get through all I have in my thirteen years with the life I've been living I can get through anything so I felt like I was so prepared not only as a young person to be in in the ballet world, , but also as a black woman that was probably the one thing that I really felt secure in my identity was the fact that I mother raised me with the understanding that as soon as I leave the house every morning I'm a black girl in that so I'm going to be viewed and treated in. . So there was no a lack of understanding in that <hes> area. . Of My identity and so I think that really served me well when I entered the very white valet worlds. .

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