Patrick Mogollon, Dan Richards, Robert Mcfarland discussed on Heartland Newsfeed Radio Network


Attack them that you have to. Because it's a mountainous landscape. You have to come along mountain valleys and so to defend their homeland. They built their castles in the valleys. However gwynedd was conquered by. Edward i in the twelve long shanks of braveheart fame so beautifully played by patrick mogollon. But he wasn't interested in the valleys he wanted to be able to get to. His castles built his cousins. Which are the most expensive set of wonderful counselors you've ever seen. But his cancels are on the edge of the seat so he could access bring building materials by sea. So the castles that. I'm thinking of in wales for these big dramatic state of the art in the thirteenth century castles. They would be english. Castles built keep the welsh people down. Yeah and they would be accessible by cc. Because that's what you you don't need to control the countryside. Just didn't have these toehold access by sea. And then you can administer your empire when you've been there you know there's a very narrow coastal strip with mountains on the inside so right if you're gonna move in gwynedd in north wales you can move either along the coastal strip all through the valleys well if we build castles at the mouths of rivers on the seashore. You've got the landscape. Tida you bottle up the country king edward. He had his castles there. And what are the top three or four castles that they come out and conway damaris. I'd say those arteries one gorgeous castles. This is travel with rick. Steves been joined by martin. The land of it's the guy from northern wales. We've been talking about snowden national park in the cultural and historic wonders nearby martin. Thanks so much for joining us. And i'd like to just close with a moment with you. Just spent three just exhilarating hours. We didn't take the steam train week. Climbed that is a beautiful day. We got to the top of mount. You as a welshman tell me what do you see. And what do you think accept. The view from the top is stunning. You can see ireland from top style. You can see the island man from tops zone. The see is there. The lakes heavily glaciated landscape deep steep narrow valleys digital streams. That run down them and very green countryside is not by accident that tom jones sang of the green green grass of home. It does rain a bit. But you know it's worth putting on a coat to go out into the of snowdonia and at that moment you're in the top of wales literally house martin. Thanks so much for joining us. thank you for. Having merrick injustice well explore the outdoorsy appeal of the laidback former yugoslav nation of slovenia where. They'll be celebrating thirty years of independence later this year. But i british travel writer. Dan richards looks at the small outposts. You can find scattered around some of the wildest places on earth it's travel with. Rick steves as a kid. Dan richards climbed trees built forks in the countryside of western england simpson. His enthusiasm for adventure has taken him to untamed landscapes around the world. Some even come with a place to stay and breathtaking view for his book outpost. A journey to the wild ends of the earth. Dan explored huts cabins and refugees that have sheltered wilderness adventures for decades. He joins us now. Travel with rick steves to take us to these secret worlds. That you won't find on airbnb. Dan welcome hello. Thank you for having me. You mentioned in your book that it all started with a bear pelvis. That sat on your father's desk. Can you explain that. Just before i was born. My dad came back from an expedition That he had done to. Sal bot in the high arctic. When he was younger he was a mountain near and also a bit of an explorer and he went to this. You know the most northerly human permanent settlement on earth which is called nielsen as part of a sort of geology expedition. And when he came home he unpacked his bag. And he had this most amazing almost alien artifact which was this holiday pelvis a very old when he found it. So you know. He never sort of met the ba- involved but he found this kind of bony frame and brought it home. And as you say it kind of has this incredible object in his study. So there's the polar bear pelvis and then a photograph of your dead in snowbird. Yes and he'd stayed with his team In a number of sets up that just very very Rudimentary very fragile. Little buildings where they had stayed for a nato team so when your school friends are going to new york for their summer break you decide to go to fall board and find that shed tell us about how you got into going to these remote outposts. Because you've gone to these places all over the world will in light of my dad's trip. I began to think about these outposts. As witness in a way to amazing adventures and travels people had had over centuries really often. The people are gone and the only thing that remains. Is there jumping off point and that could be a base like scott space in antarctica or could be a beacon like a lighthouse or fi watching cabin and the pass. These places are now out of use but they still exist as these kind of amazing survivors. The memorials to that went on. I began thinking about that and also the way that often creative people will try and make shed or a spot in space either in the house or in the garden in a way to try and sort of interact with amuses or just create enough kind of clear space to think and create so I began to combine those. That is so important. I love going to the remote fjords on the west coast of norway and finding the little tiny cabin where edvard grieg the great norwegian composer woodwork. And you can see the simple piano he composed on you can look out the window and see the solitude in the pristine nature and the vast -ness of it all that inspired him and you can imagine that solitude was his muse absolutely. I think a lot of the places i visited were like that. They had just enough architecture to make some difference so you weren't completely outside and And thorough has that line where his walden pond heart. He was caged amongst birds so the birds were free and that he was with at his desk just in the nature. So i suppose venturing to these places you would prepare yourself to know. What was the purpose of this hutton. And what is the humanity of it. What was the struggle. What was the heroics of this hut and then when you go there. It becomes a little more rewarding and a little more meaningful. Yes absolutely and some of them have had amazing. Double triple quadruple lives. So that were sale house that i visited in iceland and these are buildings are incredibly rudimentary. Stop and they were built by the early norse to make crossing the very barren interior of iceland possible so they were joined the dots kind of stations along the way and they started out being almost little igloos. If you can imagine an igloo that was made of turf and rocks And then over the years. They've been rebuilt so many times that now they look like what you might recognize as a sort of prairie farmstead In a way but they still retain the foundations and the story and the myth and the ghosts of all of these different incarnations and all of travelers who've passed through them. I found that really fascinating. And you can hike to one of those. What was it like lobster house of joy in the middle of iceland. It was amazing. Because i think i describe in the book is driving over this featureless because we were renovating. We actually drove out. But you can imagine the norse walking over this featureless terrain immense seeing this little hammock as it would have been in their day appearing and the house of joy. You now you can imagine the joy that you know you're sleeping. You have a roof tonight. You know you're going to be warm because if you missed that if you get lost if you can't find it then you're out on a permafrost did completely barren sort of time. So that the need to get in and get warm with immense and very kind of you know essential elemental and when i approached Happiness which was the sal house. That i visited i describe it as a little. A little house sat up and hugging its knees And when you're out in this kind of an environment and you get your notepad there as a writer all sorts of beautiful thoughts. I would think just flutter by and you want to grab them and write them down absolutely. Although often i end up thinking about this. In retrospect try and take a few pictures but often when you're in these bases it's so important just to live in the moment and even writing something down you don't wanna take your eyes off was around you. Directly in front of the sale house was the second largest glossier in iceland. And just look at it. It was just so it had such charisma. This thing you know it exuded. This cold cold charisma. It was really hypnotic. Would into these deep deep blue's all the blues you can imagine of this you know elemental incredibly old incredibly important last year and then to actually take your eyes off it and write something down with almost feel like a dereliction of duty while you need to sort of so kit all up. Take it all in. This is the quintessence of travel. What you're talking about this travel with rick steves. If you ever wanted to really get away. And i mean really away. The neil enjoy the stories of travel writer. Dan richards his book is outpost attorney to the wild ends of the earth and in this book. He takes us on adventures to ten remote cabins refugees and some of the most hostile terrain on the planet. Dan is a royal literary fellow at bristol university. In england we have links to dense work with this week. Show rick steves dot com slash radio. So dan you talk about these little hudson. These sheds and whatever we call them and they do have interesting names in scotland. What is it a booth or a buffy. Yes tell us about arriving at scotland. Well i think the word bossy comes from There are several of derivation. But if you can imagine a booth it's a single room dwelling and again your arriving after a heart. They slow it scotland. So you know it rains and then it really rains and if the sun is shining it's probably still raining you know and you be hiking over. Maybe some orlando. Maybe you've come off the cango and mountains and you're just immersed in this amazing plateau of mountains and gorse and heather and moorland you see on the horizon again a little buffy this little former crofters hut perhaps a little house a little dwelling and you get in and one of the most amazing things about scottish bodies and bodies exist all over the uk. There are some in wales. There are some in the lake district. You get into this very simple dwelling and they're the marks of the people who have been here before you and it really put me in mind. There's a wonderful poem by philip. Larkin and the poem is called. Home is so sad and the lines go it stays as it was left. Formed to the comfort of last to go as if to win them back. I've got a cabin. Rarely visit up in the mountains outside of seattle. And it's like that. I never know who was there last. And sometimes it's been months but you still feel the spirit of the people who were there last and how they left it and what they must have done in the funded must have had and then you get absolutely you get to take that story and carry it forward. That's it and the carrying forward. I think is such an amazing thing of a lot of the places i visited in the book. The bodies and the sale house. They are generous architecture. And as much as they allow on would movement they allow further adventures into as you said earlier partly completely inhospitable terrain but within them hidden these jewel. Like dwellings at that. Allow you to spend a night. In relative comfort. The scottish have a word rough stuffing they call it. So you know you don't find a buffer you don't find a sale house you end up sleeping in a relatively dry ditch with your pack as a pillow and cote is a do or You know and that's rough stuffing and the alternative to that. Is this amazing. Both the any day over absolutely. Yeah so you can have a fire and it is kinda cool to think. They're not the end of the road. They are a depot on the way to somewhere in most cases absolutely. Yeah they're kind of silo. I think you know 'cause some people leave you know. You might get candles you mike matches. You might get some food. That's been left this kind of a ten you. Might you know you might even get biscuits. I mean that's real luxury out there. Dan richards documents his adventures in outpost. A journey to the wild ends of the earth. He also co wrote holloway with robert mcfarland which we spoke about on a recent edition of travel with rick. Steves dan post to twitter at. Dan underscore zip dan. You were talking about as shepherd's hut in switzerland. Can you describe that to us. That was a writing heart that i went to in switzerland. There was a shepherd's hut. That's in the swiss chapter. Which is roger deakins. Kind of shepherd's hut. He was an amazing nature writer from britain. So i'm visiting his farmstead in suffolk in this chapter and really. I just oppose this very very simple. Almost little caravan that he had on wheels that he would move about his estate and he would write and they'll be a little potbellied stove in there and a wonderful quite uncomfortable horsehair mattress bed. And you had your own little world in there and i just oppose this was A really space age treehouse. I visited in switzerland. Which is parts of jan mcculskey foundations writing. I suppose you it. Looks like a fortress. But i think really it's a kind of Residency program so writers can go and they're given everything that they would need to write one of those things is a solitude but also they're given solitude also from the ground as in their suspended in this amazing brutally honest plywood treehouse. With all maude combs. You've got under floor heating and things like that is the sort of thing that a silicon valley tech entrepreneur might build in upstate new york. You know. but you're in the jerem mountains of switzerland and it's for writers and it was a really interesting juxtaposition because for one you've got roger deakins very very spot in space and in the other you've got this super high tackle sifi little cube..

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