Nintendo, Pellegrino, Benton discussed on Radio Boston

Radio Boston
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It's part of why <Speech_Female> it can be difficult <Speech_Female> even now to <Speech_Female> get your hands on <Speech_Female> the Nintendo <SpeakerChange> switch console. <Speech_Female> <Speech_Female> A core part <Speech_Female> of the appeal is <Speech_Female> that the game allows <Speech_Female> players to <Speech_Female> be together <Speech_Music_Female> virtually in <Speech_Music_Female> real time. <Speech_Female> That's <Speech_Music_Female> what made the production possible. <Speech_Music_Female> <Speech_Female> While they recorded <Speech_Female> the music separately. <Speech_Female> All of <Speech_Female> the performers were <Speech_Female> able to act out <Speech_Female> their roles through <Speech_Female> the game <Speech_Music_Female> as their <SpeakerChange> own <Speech_Music_Female> animal crossing avatars. <Speech_Music_Female> <Music> <Music> <Music> <Advertisement> <Speech_Music_Male> <Speech_Music_Male> <Music> <Speech_Music_Female> <SpeakerChange> <Speech_Music_Female> <Speech_Music_Female> Watched the opera <Speech_Music_Female> and <Speech_Female> you hear it <Speech_Female> it sounds like these people <Speech_Female> are in the same room <Speech_Female> and there's no visual <Speech_Female> reminder telling <Speech_Female> you that they're not. <Speech_Music_Female> So <Speech_Female> it feels like <Speech_Female> this is <Speech_Female> performance that happened <Speech_Female> together <Speech_Female> when you see the <Speech_Female> squares on Zoom, <Speech_Female> you <Speech_Music_Female> know that they're not together. <Speech_Music_Female> <Speech_Female> And <Speech_Female> the best part of <Speech_Female> life theater is <Speech_Female> experiencing something. <Speech_Female> I think <SpeakerChange> together <Speech_Female> that's <Silence> Pellegrino again <Speech_Female> <Advertisement> before <Speech_Female> <Advertisement> the pandemic do <Speech_Female> <Advertisement> a Donnie productions <Speech_Female> <Advertisement> was planning <Speech_Music_Female> three in person <Speech_Music_Female> operas in received <Speech_Female> grants to help <Speech_Female> them employ about <Silence> forty singers. <Speech_Female> Now, <Speech_Female> the future <Speech_Female> for any in person productions <Speech_Music_Female> is uncertain <Speech_Music_Female> <SpeakerChange> says <Speech_Music_Female> being ten. It's <Speech_Female> been like <Speech_Female> a uniquely devastating <Speech_Female> experience <Speech_Female> and that singing <Speech_Music_Female> is like one of the <Speech_Female> <Advertisement> most dangerous <Speech_Female> <Advertisement> like things you <Speech_Female> can do <Speech_Female> and it's kind <Speech_Female> of like <SpeakerChange> put <Speech_Female> the whole industry <Speech_Female> in chaos. <Speech_Female> Baynton, is among <Speech_Female> many in the industry <Speech_Female> experimenting <Speech_Female> with how <Speech_Female> to perform and connect <Speech_Music_Female> with audiences <Speech_Female> remotely <Speech_Female> the traditional <Speech_Female> way to do it <Speech_Female> is great <Speech_Female> but like <Speech_Female> these other kind of <Speech_Female> new, maybe weird <Speech_Female> ways of doing it <Speech_Music_Female> are also <Speech_Music_Female> <Advertisement> exciting I. Think <Speech_Female> it doesn't. <Speech_Female> It's nice to <Speech_Female> be able to look. It doesn't <Speech_Female> have to be this like one <Speech_Female> way that everyone <Silence> kind of thinks of it. <Speech_Music_Female> <Music> <Music> <Speech_Music_Female> <SpeakerChange> <Speech_Music_Female> <Speech_Music_Female> And as pelegrina <Speech_Music_Female> points. <Speech_Female> Cartoons and opera <Speech_Music_Female> have been intertwined <Speech_Music_Female> for decades. <Speech_Music_Female> It pops <Speech_Female> up episodes <Speech_Female> of the ninety show. Hey, <Speech_Female> Arnold in spongebob <Speech_Female> squarepants <Speech_Female> and of course, <Speech_Music_Female> looney <SpeakerChange> tunes <Speech_Music_Female> and Bugs Bunny. <Music> <Music> <Speech_Music_Female> <Speech_Music_Female> <Speech_Female> I feel like if you ask <Speech_Female> anyone, they're going to know <Speech_Female> the right of the <Speech_Female> Valkyrie theme. <Speech_Female> They might not know <Speech_Music_Female> the name, but they'll know <Speech_Music_Female> what it is in their head. <Speech_Music_Female> So I don't <Speech_Music_Female> think this is totally <Speech_Music_Female> out <Speech_Music_Female> of left <SpeakerChange> field. <Speech_Music_Female> That <Speech_Female> being said I think <Speech_Female> the video game is just <Speech_Female> like the next generation <Speech_Female> of that <SpeakerChange> kind of <Speech_Music_Female> cartoon. <Music> <Music> <Music> <Music> <Music> <Music> <Speech_Music_Female> They <Speech_Female> hope that this approach <Speech_Female> to opera, we'll draw <Speech_Music_Female> nontraditional <Speech_Music_Female> audiences. <Speech_Female> Pelegrina <Speech_Female> says they have also received <Speech_Female> positive responses <Speech_Music_Female> from opera, <Speech_Music_Male> lovers. <Speech_Music_Female> <Speech_Music_Female> <Speech_Music_Female> <SpeakerChange> <Speech_Music_Female> <Speech_Female> Benton said the most <Speech_Female> powerful thing about <Speech_Music_Female> the project was <Speech_Music_Female> performing <SpeakerChange> again <Speech_Music_Female> with other people, <Speech_Female> <Speech_Female> I. Think we all felt kind <Speech_Female> of emotional <Speech_Female> like watching it for the <Speech_Female> first time and hearing <Speech_Female> all of our voices <Speech_Female> together <Speech_Female> and we were like, oh my gosh, <Speech_Female> like it sounds <Speech_Female> like we're together even <Speech_Female> though <SpeakerChange> we <Speech_Music_Female> were apart. <Music> <Speech_Music_Female> <Speech_Music_Female> <Speech_Music_Female>

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