Mary Shelley, Fiona Sampson, Dr Marilyn Butler discussed on The Science Show

The Science Show
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Automatic TRANSCRIPT

From the new film Mary Shelley released in July before that Dr Marilyn Butler, the late rector of Exeter college in Oxford. And so he leaped to twenty eighteen and beyond our guidance is and burden who lives in Sydney, and who's written a novel almost invincible a novel about Mary. With an anxiety that almost amounted to agony. I collected the instruments of life around me that I might infuse the spark of being into the lifeless thing that lay at my feet. It was already one in the morning. The rain patted dismally against the pains, and my candle was nearly out when by the glimmer of the half extinguished light, I sold the Dalai yellow I of the creature open. It's breathed ha and convulsive motion at detained lames. That was how the eighteen year old Mary Shelley on a dark and stormy summa in Geneva in eighteen eighteen begun, her icon ick tale of reanimation. How can I describe the rich I had full from foraged body parts with such infinite pains and care I had selected his features is beautiful. Be. Great God, his lustrous black head pearly white teeth only formed a Mohammed contrast with his yellow skin and watery eyes and done white sockets, shriveled, complexion and straight black lips. I had worked for nearly two years for the sole purpose of infusing life into an inanimate body for this. I had deprived myself of rest and health. But now that I had finished the beauty of the dream vanished and breathless horror and disgust filled. My heart. Unable to endure the aspect of the being I had created. I rushed out of the room. Frankenstein has been cold the first science fiction novel and two hundred years on after countless representation's re-creations in Boston is Asians of the story is ideas still challenging the scientific imagination. But where did it come from? What pointed Mary the direction of producing such a book one that was not just another gothic horror story, but a complex commentary on the possibilities and limitations of scientific exploration. The many scientists today the novel is tropes. And seems it's insights the still relevant. Mary was not a scientist, but understanding with beat play rooted in own experiences designed Geist at the times and the same that she explored in the novel still resonate today. Especially in the scientific world Fiona Sampson is a biographer of. Mary Shelley as a writer. She's an inspiration. I think that it's amazing to turn so much if it colty anti-anxiety really centennial anxiety as well as personal anxiety into mouthpiece into art. But of course, she also turned it into science in the sense that she has the foresight to channel all these questions food the big scientific inquiry of her day, which is what the origins of life. How do we make life? What's the difference between animate and inanimate if it's not an longer gold dropping the spirit of life into the human or the animal? So that's inspiring. Also for me as a woman, she's really interesting because she's writing around the edge of I I mean, she's moving how she's moving countries during the time, she writes, Frankenstein, she's suffering bereavements fisticuffs Assaf apartments. First wife kills two south. She's getting married. She's pregnant all these things are happening. And yet she still manages to write a novel and not just spontaneous emission start. As an awful form. There's a change in science. There's a time of. We'll political awareness and unease it's a time off the death of God's will anxiety about who the humanism on where they sit in the world around them, and then as Mary's own life experiences and at that moment, which is eighteen nineteen they all coincide as it were. And her tremendous creative, intelligent mind and emerge as a novel one of Mary's personal anxieties Fiona mentions had been the loss of her first born child born prematurely and living for only a few days..

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