Listen: George Lucas, John Williams, American Film Institute discussed on Overnight America with Ryan Wrecker
"The bridge, and he made a former the main theme that's a perfect example of the kind of collaboration. Things. Interesting about that. Very simple little secrets of notes. But I spend more time on those little bits of musical grammar to get them. Just right. So that they seem seemed like they've always been the other so simple. And I don't know how many permutations I will go through with a six note motif that one note down. And spent a lot of time on these little simplicity's, which are often the hardest things to capture I think for anybody. John Williams won the forty four th annual American Film Institute lifetime achievement award in two thousand sixteen during his acceptance speech, he had this to say about music, and film music is like architecture sculpture. And so two years old. And film is the new kid on the block one hundred years barely, and we will watch it several Lucien carefully side by side with the music. I am enormously grateful as all composers on two films for giving us the broadest possible audience worldwide any composer has ever enjoyed. I I'm certain that Beethoven would have shunned it, but Wagner would have had his own studio in Burbank. With a huge water tank with a W on. Williams, then thanked George Lucas, George Lucas, George Lucas, certainly a genus George gives me the greatest opportunity in the broadest Kansas to right seems for characters. Luke Skywalker, Darth Vader, anikin Lucan lay of the forest and so on for the first film, Georgia even wrote you'll remember a quite heated. Love seem with was a was a melody and a development section and it's horrid climax sinking. That lucan. Leo were lovers. And I found out."