Beastie Boys Made a Movie. We Made a Beastie Boys Podcast.

The Big Picture
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I'm Shawn Fantasy and this. Is the big picture a conversation? Show about Beastie Boys. That's right beastie. Boys made a movie beastie boys story which is directed by Spike Jones and available to watch right now on apple. Tv plus. If you're like me and worship Beastie boys you need to watch this movie later in the show. I'll be talking to add rock. And like diaw Beastie boys about their movie history their favorite fruits. How they're doing in quarantine. The New York Knicks documentaries that they want to see a bunch of other stuff as I tried to keep them focused on our conversation. A really love these guys beastie. Boys are my favorite band ever and it isn't even really close so to talk about them before we get to them. I asked the VIC Ferrari to my Alessandro Allegra. Join me it's Chris Ryan. Hi Chris. I've always seen myself more as a Nathan Wind Guy. I've been waiting my whole life to do this. Podcast so let's go. I'm very glad you're here with me. I can't think of anybody else. I'd WanNa have here other than you. Except maybe Mike the Inadequacy and they're coming later. So when I say beastie boys what's the first thing that pops in your head Chris? Probably the invention of cool so I think one thing that we've talked about a lot over the last twelve to eighteen months. We've had a lot of Quentin Tarantino podcasts. We've we celebrated a lot of his movies on the watchable. We talked about them on. Big Picture Podcast with him and something that comes up. Ally is kind of how he gave us a vocabulary or language to through which to understand culture and understand the world and I think the Beastie boys are equally responsible for that in both of our lives in terms of introducing us to so much music and so much other culture that wound up becoming just part of our like way in which we relate to the rest of the world through these like Kung Fu and exploitation movies through rap Reggae punk rock weird funk like all like it just basically made collectors and fans out of out of us at the risk of stepping on music exists. I wanted to ask you why you think you. And I to some extent to are so interested in figures who are all about basically like recombinant culture. You know who take all the disparate parts of stuff that they love and smash it all together because that is the thing that the movie and then returning to all of this music that I listened to over and over and over and over again in my life that I have thought about is like wow they really just jammed all the stuff they liked together to make something new like. What is it about that? The second part of what you said is the most important thing. Do you think about the people that we really respond to. Wu Tang clan quitting Tarantino. Beastie boys it means we're very basic very and B. It's the most important part is finding the second thing the thing that you're GonNa make out of all this shit. And that's what makes me so excited is when someone uses all these postmodern tools in these reconstructs. All these things out of this of Cultural Ephemera to say something else. Wootten Klan took all those Kung Fu movies and took all those samples but made something that could only have been made in Staten Island. You know back could only have made the music. He made with the experience that he had. And the Beastie boys could only have been the beastie boys by combining bad brains with run DMC. Yeah and I feel like it's not a mistake that so much of what we do at the ringer and so much of what you and I have been trying to do in. Our lives is basically celebrate and be enthusiastic about the things that we care about and I feel like these artists are the same way if you if you think about Beastie boys and you even look at the way they tell their story in the movie. It's just we really liked was the clash and grandmaster flash and Cheech and Chong and we were trying to find a way to make all those things make sense together and I feel the same way about what we do every day I feel about you and I love the NBA and we love Top Gun and we love. I love deb's I don't know how you feel Dad's but You know just trying to find a way to make all those things fit together so I feel like I have aped and tried to copy a lot of what those guys do. And I feel like a kinship to their their mission their creative project. Absolutely I mean like you and I don't mean to make it sound like you. And I are the Beastie boys here but you know. I think that we use the Internet the way other people would use a sampler right and we draw in all these different media. We'd take youtube videos. We take a picture and I think it was probably more the case before we started working professionally together in an editorial capacity but we would have like tumblers and blog spots and you were just kind of like throw a picture Steve McQueen up in an article you were writing about those face and it would have some sort of relationship and I think that that was our way of continuing along this tradition of mixing and matching different pieces of culture to say something about yourself. The thing that you said that I think is probably one of the most important parts of the movie that will nocco very remarked upon because a lot of it is going to be spent talking about. Yok and it should be because this is very much I think an image to him in a real moving tribute to their friend but when Mike D says in the beginning of the movie that he was just this weird kid who found the clash. Not only is that like. That's the origin story for a lot of people. Who like they find that one band? Whether it's the dead or the clash or you know run DMC. Whoever it is that makes them think that they are now. All of not alone in the world the clashes like a really really important. Template for the Beastie boys because they are basically A Crossroads Group A marketplace. At Crossroads Group. It's where all these different cultures are coming. And they're setting up their wares and you can pick and choose off these tables and then you go home and you make something out of it. And that's what the clash did too. I mean you can make a lot of arguments about appropriation. And whether or not the people who the clash were taken from or or paying homage to properly compensated for the work that they did And the same thing could go. For the Beastie boys but I think a lot more people know about Lee Perry. Because of the Beastie boys did not you know and and that's like a really really important act in culture. Everything is about timing too I think about when they hit the scene and who they were working with and on the one hand I guess there's an appropriation question. I think they've moved past that so effectively because they were just literally there with Russell. Simmons and Rick Rubin and run DMC making music together and they were a part of something that was essentially punk at the end of its first true like lightning rod phase at the end of the day and and rapid the Dawn. You know I mean. They weren't there necessarily in in the parks in the south. Bronx but you know one thousand nine hundred. Eighty three played on the radio. Yeah Yes yes. And there's that great moment in the movie where Africa is asked about cookie. Post by one of the members of the Beastie boys and you can see like they're they're they're they're in the moment and they're going to dense area and you know performing for white people introducing them to wrap it away and that couldn't have happened if they if it was just five years earlier five years later. The same is true for the class. You know it's like they arrived at a time when the world was ready to hear rock and try to play reggae. And what that means for the future reggae. There's something also about this specific approach to the world though that jumps out to me. Which is it's not. Just this is what we like. It's this is what we like and I don't care if you don't like it and I don't I actually don't care if you don't get it because when I think about the things that I knew when I first heard the band it was you could fit it inside of a very small box. I just did my cultural reference points. The music that I knew about the the records the comedy everything that they were throwing in. I wouldn't say that I discovered them because they were sampled for three seconds on a on a record on policy boutique but they were a window. You know I had never heard of Sadaharu. Oh until I heard the beastie boys rap about him you know like there's so much in their music the sampling the lyric writing even if it is in their songs are very rarely like high minded. They're not necessarily pursuits of big ideas. But they put big ideas in front of you. Just by dint of what they were interested in and I I liked that kind of take it or leave it quality they bring to it and I feel like that really comes out in the movie too. Don't you think yeah? It's only a couple of people are lucky enough to have other people care about the thing that they care about. You know you can. You can play the game and you can try. Ride the wave of what's popular at any given moment. But it's so weird because what the beastie boys did especially once they move to La. I think wound up having such an incredibly profound formative effect on all the culture that comes after it but it so it winds up being underrated as as to what a zag that was how crazy it was for those guys to be like. Yeah we'RE GONNA LEAVE NEW YORK. We're GONNA leave behind rapper. We're going to go to capitol from Def Jam. And we're GONNA work with these two producers that basically no one's ever heard of an assemble these like really out there incongruous samples to build together a new sound that we're gonNA use to define us for the next couple of decades. The only thing I wanted to talk about because I think is probably also a reason why you and I like them. Much is that and this comes across very much in the movie much

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