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Automatic TRANSCRIPT

Finally on. Today's briefing few visitors to the Sistine Chapel of ever complained about a shortage of astonishing treasures but the Vatican's embarrassment of riches in this respect has just been significantly further engorged all. Twelve of Raphael's tapestries commissioned. Of course by Pope Leo the Tenth Have Been Hung on the Sistine Chapel's lower walls for the first time since Michelangelo was at work on the ceiling this is by way of commemoration of the five hundred th anniversary of Raphael's death. I'm joined now by Monaco Culture editor. Kiara a minute self-evidently. If this hasn't really happened for several hundred use kind of a big deal but but how big a deal is it. It is a very big deal. And when you think about the fact that this was how the Sistine Chapel was originally commissioned to be and how was intended to be as you say you know you'd be quite hard pressed to believe that there was more to go in there that the plan actually included extra ornamentation United States. Yes quite. I think it's worth the money of the ticket and but it was originally intended to the tapestry. Was were were commissioned so not to leave the the bottom half of the of the walls bear so speak and so It's it's really great to be able to finally see the vision that was originally intended for Sistine Chapel so for people who are fortunate enough to go and see these things. Do we entirely understand what they will be looking at? Yes so these are ten main tapestries into border tapestries. That were woven in Brussels to paintings originally by Raphael and they they are as usual. Kind of Obviously of of Religious subjects is moments of the life of Saint Peter and Paul and they are clearly very impressive. I think what's most interesting about all of this? Whole issue is that development clearly has so many of these treasures and it's a little bit of the paradox of of conservation that some of its most important treasures are the ones that see the light the least often because by nature of of them being so precious. They can't be shown to light very often. So these these tapestries will only actually be on display until the twenty third. And then they're gone again that will therefore one would think prompt cues round the block but my question is will many. Italians actually be in them because I growing up in cities in Australia for some big international artwork comes to town. It was a huge huge deal which is not to say a strenuous completely culturally impoverished but relative to Italy. You know what I'm saying. Do Italians get complacent about this? Italians are are you fellow. Italians reading stories of refugees. Half Millennia old tapestries. Whatever I think definitely we have a little bit more of a habit to We're just a little bit more accustomed to to renascent masterpieces. I do think that this is a particularly think interesting showing in that. There's also a bit of a quirky history to it in that. Michelangelo and Raphael were historically rivals and during the renaissance period. They were rivals for the pipes commissions. And so it's interesting to see. Michelangelo was really jealous. Rafael Rafael was younger and Raffle was basically Plagiarizing him and so. It was quite jealous that he did get the commissions for tapestries but then the ceilings of the stained chapel obviously make Michelangelo's suitably famous around the world to be able to think now of Rafael looking up the ceilings while Michelangelo was painting