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We gather. <Speech_Female> Day <Speech_Female> on our platform <Speech_Female> to <Speech_Female> to engage <Speech_Female> in really robust <Speech_Female> incredible <Speech_Female> conversations <Speech_Female> we <Speech_Female> meet in our <Speech_Female> events <Speech_Female> and have <Speech_Female> conversations <Speech_Female> there, and <Speech_Female> the programming is just <Speech_Female> absolutely fantastic. <Speech_Female> You can use <Speech_Female> our special code <Speech_Female> insider Jane <Speech_Female> F F for <Speech_Female> Ten dollars off <Speech_Female> your first month <SpeakerChange> membership. <Speech_Female> Thank <Speech_Female> you sean to Neelam Jeet <Speech_Female> for joining me today. <Speech_Female> Thank you, Jim. <Speech_Music_Female> <Speech_Female> Thanks. <Speech_Female> Thank you Shanta <Speech_Female> love to <Speech_Female> both? <Speech_Female> So <Speech_Female> Shantha mentioned <Speech_Female> digital black face. <Speech_Female> What she's <Speech_Female> talking about <Speech_Female> is <Speech_Music_Female> the practice <Speech_Music_Female> of. <Speech_Music_Female> Using <Speech_Female> black face <Speech_Female> in a digital medium. <Speech_Female> So <Speech_Female> since <Speech_Female> eighteen hundreds and <Speech_Female> until the mid <Speech_Female> twentieth century, <Speech_Female> the there was a <Speech_Female> minstrel show based <Speech_Female> practice of donning <Speech_Music_Female> black based to portray <Speech_Female> characters, <Speech_Female> African descent, <Speech_Female> obviously <Speech_Female> damaging, dehumanizing, <Speech_Female> and incredibly <Speech_Female> painful <Speech_Music_Female> and. <Speech_Music_Female> <Advertisement> That practice <Silence> is now <Speech_Female> <Speech_Female> takes place <Speech_Female> in a digital <Speech_Female> platform <Speech_Female> as memes <Speech_Female> when basically <Speech_Female> I'm <Speech_Female> going to quote an author <Speech_Female> and Professor <Speech_Female> Jacqueline Stuart says <Speech_Female> putting on <Speech_Female> face becomes away <Speech_Female> white characters <Speech_Female> get to actually show <Speech_Female> their emotional selves <Speech_Female> they get <Speech_Female> in touch with their feelings <Speech_Female> and that's <Speech_Female> a fascinating dimension. <Speech_Female> What black representation <Speech_Female> is doing <Speech_Female> will that's the <Speech_Female> bridge digital <Speech_Female> black face it's the <Speech_Female> same practice, but <Speech_Female> just a new medium <Speech_Female> so it's <Speech_Female> like when <Speech_Music_Female> <Speech_Music_Female> You use a meme <Speech_Female> of a black <Speech_Female> person to outsource <Silence> your emotional. <Speech_Female> <Silence> Expression. <Speech_Female> So black <Speech_Female> folks become your says <Speech_Female> they become your <Speech_Female> joy <Speech_Music_Female> they become your pain. <Speech_Music_Female> <Speech_Music_Female> And <Speech_Music_Male> it <Speech_Music_Female> it <Speech_Female> perpetuates a practice <Speech_Female> <Advertisement> and dehumanizing <Speech_Female> <Advertisement>

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