First, Speech_Music_Male discussed on Larry Wilmore: Black on the Air

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Weren't <Speech_Male> able to pause <Speech_Male> fast forward <Speech_Male> <hes> et cetera. <Speech_Male> I think <Speech_Male> it has to do with intent. <Speech_Male> I think it has to do <Speech_Male> with intent <Speech_Male> I think it has <Speech_Male> to do with context. <Speech_Male> I think we can't consider <Speech_Male> any image <Speech_Male> that <Speech_Male> involves our as <Speech_Male> as any image <Speech_Male> <Speech_Male> That involves the <Speech_Male> pictures of trauma as <Speech_Male> pornographic <Speech_Male> Because <Speech_Male> i think if <Speech_Male> we do assume <Speech_Male> that default <Speech_Male> than were might <Speech_Male> dissipate in the erasure <Speech_Male> of <Speech_Male> anything having <Speech_Male> a story <Speech_Male> of our ancestors <Speech_Male> <Speech_Male> a largely has <Speech_Male> a lot to do <Speech_Male> with <Speech_Male> enduring <Speech_Male> in <Speech_Male> overcoming <Speech_Male> the trauma. <Speech_Male> And so <Speech_Male> do think people's concerns <Speech_Male> are <Speech_Male> valid. <Speech_Male> Because i can't <Speech_Male> say for anyone else. <Speech_Male> Where's the line <Speech_Male> that you <Speech_Male> have to draw <Speech_Male> for what you can handle <Speech_Male> what you can process <Speech_Male> <Speech_Male> And so i think <Speech_Male> it takes a intern <Speech_Male> and contextualisation <Speech_Male> so <Speech_Male> when the <Speech_Male> voices <Speech_Male> first appeared. <Speech_Male> Hurt them <Speech_Male> You <Speech_Male> know kind of <Speech_Male> hurt. Because i felt <Speech_Male> like oh. This is not what <Speech_Male> i'm doing. You know <Speech_Male> i wouldn't knowingly <Speech_Male> willfully <Speech_Male> do this <Speech_Male> to you <Speech_Male> and yet. <Speech_Male> I can't say <Speech_Male> what was done <Speech_Male> to that person in engaging <Speech_Male> images like <Speech_Male> this and other <Speech_Male> essences and so <Speech_Male> i get it <SpeakerChange> <Speech_Male> i get it. <Speech_Male> Yeah <Speech_Male> for me. i think. <Speech_Male> There's a distinction <Speech_Male> between <Speech_Male> sympathy <Speech_Male> and empathy. And <Speech_Male> i <Speech_Male> think it's easier for <Speech_Male> people have sympathy <Speech_Male> for something but <Speech_Male> until you can <Speech_Male> truly <Speech_Male> understand <Speech_Male> experience mental <Speech_Male> paying. Can you get <Speech_Male> to the empathy part. <Speech_Music_Male> <Speech_Male> <Speech_Male> were changed. I <Speech_Male> think happens through <Speech_Male> empathy <Speech_Male> more than sympathy. <Speech_Male> I believe <Speech_Male> but then you go. <Speech_Male> We have a <Speech_Male> great empathetic <SpeakerChange> filmmaker. <Speech_Male> Here <Speech_Male> <Speech_Male> <Speech_Male> very i appreciate <Speech_Male> talking to you. <Speech_Male> You're such a great <Speech_Male> dude. And i <Speech_Male> just loved like i said <Speech_Male> i just love your stuff. <Speech_Male> It's it's really <Speech_Male> you watching <Speech_Male> like artwork <Speech_Male> on the wall. It's <Speech_Male> moving. I mean <Speech_Male> really is just <Speech_Male> ingrate room <Speech_Male> that it ended so <Speech_Male> thoughtful and <Speech_Male> just sensitive everybody <Speech_Male> see underground railroad <Speech_Male> as berry. Says <Speech_Male> you. don't don't watch <Speech_Male> it on city. <Speech_Male> <Speech_Male> Some of <Speech_Male> it's kind of tough but <Speech_Male> it's offering <Speech_Male> interesting and based <Speech_Male> on that great book. I <Speech_Music_Male> wish you the best m. <Speech_Music_Male> Let's stay in <Speech_Music_Male> touch and let me know what's <Speech_Music_Male> going on. <Speech_Music_Male> Yes sir. <SpeakerChange> we'll do mine. <Speech_Music_Male> It's been a pleasure. <Speech_Music_Male> The

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