Ian Elsner, Sophie, Twitter discussed on Museum Archipelago
Welcome to museum archipelago. I'm ian elsner. Museum archipelago guides you through the rocky landscape of museums. Each episode is never longer than fifteen minutes. So let's get started for the past six and a half years more or less weekly museum. People gather on twitter for something called museum our together. These people form a peer to peer community supporting discussion and debate between those who work in enjoy and challenge museums society. That's the beauty of museum. Our is entirely independent. It is not an organization is just about holding a space so other people can talk with each other. This is dr to meena car who co-founded museum our back in october. Twenty fourteen gosper also founded the curatorial research center. Hello my name is to mean a costco. And i am the director and curator of the curatorial research center and that's an organization. I started back in two thousand eighteen very much to support fellow curator's from around the world and also to make progress in modernizing curatorial practice this month gosper officially steps back from her role in museum. Our i wanted this to serve as both exit interview and a chance to highlight other projects that she has founded based on her curatorial. Philosophies museum i started can october two thousand fourteen sophie balancer. Who was the co founder with me got together over twitter. We've never met in real life. Goodness knows whether we ever will. Sophie was based up in the north of england. I'm based in the far west of cornwall. That we both decided we'd give the idea of the discussion based hours that were kind of finding their feet on twitter at that time so we decided to give it a go and it's grown and grown and grown and changed a lot since then of course twitches also changed hugely in terms of who participates. Who feels confident about speaking out. Who likes in the background. There is a lot of polarization on the platform. Now and so we've changed adapted museum iowa to all of those trends that we've seen happen including it's growing politicize ation as well. If i'm being honest i've kind of treated the whole thing. Even six and a half years own as an ongoing experiment in trying to understand how it is people like to communicate with each other and how it is that you can provide some kind of support for this peer to pay contact is what we're really after on museum archipelago. We look at museums as a medium and twitter is also a medium one that has changed since museum. Our started six and a half years ago since then. Twitter has shifted from a simple subscriber model. One we you see all the tweets from the people you follow the order that they tweeted to a system that uses algorithms that optimize for other factors such as engagement with the tweets. This can make a global conversation about museums. Difficult with the change in. How twitter is managed. And how the concept of driving engagement and algorithms are dictating. What we see on our timelines. There has absolutely been an impact on museum our because of that. We've got to work much harder to try and get ideas for topics for example people's ideas out to as broad an interested audience participation group that we can and that has proven very difficult in fact particularly of late because people's timelines also manipulated by twitter's algorithms and because they're so much more noise on twitter than there was so. I'm kind of glad that museum. Our has managed to hold its own. It retains a light structure. It does support those intimate conversations as well as supporting bigger thoughts and opinions and even ones that people disagree about in one space. I've participated in even hosted a few museum hours. And the thing that reminds me of the most is a museum conference or at least the conversations that you might have at museum conference which is yet another medium but interestingly docker says that museum our has never been about recreating that experience. That certainly isn't the kind of experience you usually get unless you Fortunate enough to be able to afford to go to very expensive. Large international museum conferences. For example like the newseum association conference in the uk or any of items conferences but we've never really perceived if museum hours to fill that kind of gap with still kind of exploring what it is that we think we're doing and that's just by way of being very honest about no having an agenda and letting sort of the emergent process of museum our happened museum. our is just one of the volunteer projects. Goss car works on. She is first and foremost a curator term. I still ask for the definition of.