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Those sites. <Music> We are likely to get <Speech_Music_Female> <Advertisement> anxious about our kids <Speech_Music_Female> <Advertisement> well being when they watch <Speech_Music_Female> <Advertisement> a yellow cartoon <Speech_Music_Female> <Advertisement> character. <Speech_Music_Female> <Advertisement> We're just really anxious <Speech_Music_Female> <Advertisement> about what's happening to <Speech_Music_Female> our kids when they're watching <Speech_Music_Female> any <Speech_Music_Female> screen at all <Speech_Female> and the idea <Speech_Female> of prescriptive as <Speech_Music_Female> television has more <Speech_Music_Female> <Advertisement> adherents than ever <Speech_Music_Female> <Advertisement> before because it's been <Speech_Music_Female> <Advertisement> fully embraced by <Speech_Music_Female> <Advertisement> liberals when <Speech_Music_Female> <Advertisement> instead a fearing the <Speech_Music_Female> <Advertisement> TV might change the <Speech_Music_Female> <Advertisement> world. Hope that <Speech_Music_Female> it will <Speech_Music_Female> positive prescriptivism <Speech_Music_Female> <Advertisement> instead of doomsday. <Speech_Music_Female> Once <Speech_Music_Female> we want TV shows <Speech_Music_Female> to beat descriptive <Speech_Music_Female> represent the world <Speech_Music_Female> as it actually is <Speech_Music_Female> in all of its diversity. <Speech_Music_Female> <Speech_Music_Female> Then we're committed to <Speech_Music_Female> the idea that diversity <Speech_Music_Female> can make the world <Speech_Music_Female> over in its image <Speech_Music_Female> as a less <Speech_Female> bigoted less <Speech_Female> racist less homophobic <Speech_Female> more <Speech_Music_Female> <Advertisement> open minded placed <Speech_Music_Female> <Advertisement> <Speech_Music_Female> <Advertisement> but at the bar. <Speech_Music_Female> Panic tells us <Speech_Female> <Advertisement> anything <Speech_Female> is that it's very difficult <Speech_Female> to know at any. <Speech_Female> Cultural Product is <Speech_Music_Female> doing to any of us <Speech_Music_Female> in the moment <Speech_Music_Female> thirty years <Speech_Music_Female> later. It's pretty hard <Speech_Female> to credit the fears <Speech_Female> about the simpsons. <Speech_Female> The idea that <Speech_Female> what a kid would take <Speech_Music_Female> from something so funny <Speech_Female> and complicated <Speech_Female> was only a monkey. <Speech_Music_Female> <Advertisement> See Monkey <Speech_Music_Female> do kind of bad <Speech_Music_Female> behavior. <Speech_Female> It seems so much <Speech_Female> more likely than instead <Speech_Female> of making kids. <Speech_Female> Rebellious Bart <Speech_Music_Female> was an outlet for expressing <Speech_Music_Female> their feelings <Speech_Female> of rebellion. <Speech_Female> Which doesn't mean he didn't <Speech_Female> personally popularized <Speech_Female> the phrase eat <Speech_Female> my shorts or <Speech_Female> make it a little cooler <Speech_Music_Female> to be rude to your <Speech_Music_Female> parents <SpeakerChange> <Speech_Music_Female> <Speech_Female> as the simpsons <Speech_Female> a show that is chronicled <Speech_Female> the hundreds <Speech_Music_Female> of ways the TV <Speech_Music_Female> can mess. People up <Speech_Music_Female> knows as well <Speech_Music_Female> as anyone <Speech_Music_Female> if pop culture can <Speech_Music_Female> do good things to us. <Speech_Music_Female> It can do <Speech_Music_Female> things to us too <Speech_Music_Female> though. I like <Speech_Female> to think not <Speech_Music_Female> exactly <SpeakerChange> in equal <Laughter> measure <Laughter> <Advertisement> against <Speech_Female> <Advertisement> me. She says <Laughter> <Advertisement> you're a bad influence. <Speech_Music_Female> <Advertisement> <SpeakerChange> Influence <Speech_Music_Female> my butt <Music> <Music> <Advertisement> <Music> <Advertisement> <SpeakerChange> <Speech_Music_Female> <Advertisement> <Speech_Music_Female> <Advertisement> decoder <Speech_Music_Female> ring. I'm willing pass. Can <Speech_Music_Female> you can find me on <Speech_Music_Female> <Advertisement> twitter at Willow Paskhin <Speech_Music_Female> <Advertisement> and you have any <Speech_Music_Female> <Advertisement> cultural mysteries. <Speech_Music_Female> <Advertisement> You want us to code. <Speech_Music_Female> <Advertisement> You can email us at <Speech_Music_Female> <Advertisement> Dakota ring <Speech_Music_Female> <Advertisement> at slate dot com. <Speech_Music_Female> <Advertisement> If you haven't <Speech_Music_Female> <Advertisement> yet subscribed <Speech_Music_Female> <Advertisement> rate our feed and apple <Speech_Music_Female> podcasts or <Speech_Music_Female> ever you get your podcast <Speech_Music_Female> and even better. <Speech_Music_Female> Tell your friends. <Speech_Music_Female> This podcast <Speech_Music_Female> was written by <Speech_Music_Female> Willa Paskhin <Speech_Female> and was produced and <Speech_Music_Female> edited by Benjamin <Speech_Music_Female> fresh who also does <Speech_Music_Female> illustrations for every <Speech_Music_Female> episode <Speech_Music_Female> Cleo Levin is our <Speech_Music_Female> research assistant <Speech_Music_Female> thanks to James <Speech_Music_Female> Poniewozik Isaac <Speech_Music_Female> Butler Rebecca Onion <Speech_Music_Female> Ruth. Graham Stephanie <Speech_Music_Female> Manhind Derrick <Speech_Female> Johnson Crystals <Speech_Music_Female> Uth Matthew to Flam <Speech_Music_Female> Bill Wyman John <Speech_Music_Female> Fed William <Speech_Music_Female> Laura Nicholas <Speech_Music_Female> <Advertisement> gains and everyone <Speech_Music_Female> <Advertisement> else gave us help and <Speech_Music_Female> feedback along the <Speech_Music_Female> way <Speech_Music_Female> you're listening.

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