Susan Orlean, Los Angeles, Jesse Thorn discussed on Bullseye with Jesse Thorn
It's bullseye. I'm Jesse thorn. I'm so excited to welcome. Susan orlean back to our show. Susan is a staff writer at the New Yorker. She's also appeared in vogue and Esquire on this American life. She's the author of eight books covering topics like New England Saturday night in America, an orchid fanatics. The last one the orchid thief ended up being the basis of the Academy Award nominated film adaptation. Susan is disarming interviewer a meticulous researcher and a beautiful writer. These days she lives here in Los Angeles where we make our show and being an author and reader, she has visited the beautiful historic central library here. Dozens and dozens of times. Her latest book is about that library and its history and particularly about the devastating fire that almost demolished the library nineteen Eighty-six. The book is also kind of a pay on to libraries everywhere, or they mean to her with us. And why? Every library is a vital institution. The book is called the library book. It's one of my favorites. I've read this year, Susan, orlean. Welcome back to bullseye. Always happy to see you. It's great to be with you, Susan. What is your relationship with libraries personally, other than you're obviously financial relationship. One would hope. Well, I grew up going to the library that was very much a part of my childhood. My parents were great library goers they didn't really believe in buying books. They've, I think they felt like, why would you buy a book? You go to the library and borrow the book and if it's not in you, put your name on a hold list and you get it when it's available and they were born on the depression, and I'm sure that's a lot of it, which is that buying books seemed a bit of an indulgence that wasn't necessary. I grew up going to the library a couple times a week with my mom, and I found it absolutely magical. It was not like going to a bookstore or twice store. It would partly because there was no money, there was no financial relationship. And when your kid, the idea that you can have anything you want is really intoxicating at a library is on a real short list of places that welcome everyone including kids who are hassle right. Well, and I do think that in the last twenty years, we've as a society become more and more conscious kind of call it. The Starbucks affect. We've become conscious of how there's home and there's your workplace, and there's kind of a desire for another place somewhere to go somewhere. To see other humans and just sort of share the space with them. It's, I think it's why people go to co working spaces. I think it's why people go to public parks, even if they've got a backyard. There's something very special about being somewhere around other people in your, not there to interact with them. You're just sharing the space with them. And that's definitely some equality of libraries. I mean, they're, they're closest analogue is probably a public park. You know, there's serve their things to do in a park, and there's, you know, God knows what that the city offers, but sometimes it's just kind of nice to be there and there are other people there. It's also a space that we share with a variety of people. It's not a mediated group of people. It's an chance that you're going to encounter a huge range of people, which for some it's kind of discomfiting. But for. For other people. You could make the argument that it's kind of an opportunity to really see your community you ever for the New Yorker for thirty some years. And you're a New Yorker for a long time. How did your experience of living in Los Angeles compared.