Steve Perry, Patty Jenkins, Kelly Nash discussed on Inside the Studio

Automatic TRANSCRIPT

The opening track on the first album. Perry recorded with journey nineteen seventy-eight eight fifty was lights. Which is familiar to anyone seen as San Francisco giants game and you can hear the classic soul music that Perry grew up loving in those opening chords once again. This song is packing full of longing. It sipped in this case. It's not about wanting to be under the spotlight It's about wanting to return home in some sense. Those two impulses and the contradiction between them would define everything. Perry journey did over the next decade. He helped create a stadium packing monster of rock seven consecutive multi platinum albums top forty singles from these speeding ticket. Inducing stopper any way you want it to these slow waltzing open arms which will be one of the cornerstones of the Power Ballad Hall of fame. If they ever get around to building one sure know how. And then there were songs that combined both stomping and power balloting like. Don't stop believing or Sherry. The nineteen eighty four single Perry's first solo album street. Talk Steve Perry was a guy who could combine prog rock with soul music or the classicism of Bruce springsteen with new wave since and drums. He had a voice that was operatic Freddie Mercury style. But one reason is music became a soundtrack to everyday life is that it actually felt rooted in it. It really doesn't matter that there is no such places. South Detroit matters is that there are lonely. People who feel the way the small town girl and the city boy in don't stop believing field and who want to both experience that feeling and get some relief from it for the four minutes and nine seconds. That's on West. There were a lot of those kinds of people. Journeys greatest hits has sold better than ten million copies. But in February of Nineteen eighty-seven Steve. Perry played the last of seventy four dates on journeys. Tour for their ninth album. The aptly named raised on radio and he returned home and for a long while. That was it he was done. Perry was suffering from what he describes his PTSD and he went back to the San Joaquin Valley in Central California where he grew up in order to recover. Ptsd something other musicians have spoken with. Refer to when they talk about how difficult it can be to adjust to the real world after life on the road in case it was something more than that a burn out. So severe that initially. He found himself. Unable to listen to any music. Other than the soothing sounds of ambient. He spent time writing Harley caring for family and trying to reconnect with himself though he'd make another solo album in nineteen ninety four. It was a little out of step with things at the height of grunge and though he'd reunite with journey for an album in nineteen ninety six. He did not want to tour for it. He seemed to be done with the spotlight that he'd been longing for back when he wrote patiently in. Nineteen seventy seven. But something happened. During Perry's time away the music he made with journey critically dismissed at the height of its popularity is corporate rock began to be more beloved. Which is the kind of thing that does happen is cultural. Gatekeepers BEGIN TO CHANGE IN. The people raised on radio when it was defined by journey begin to make culture of their own. In Perry's case Patty Jenkins who go on to direct the blockbuster wonder woman contacted him about using. Don't stop believing in a scene for her two thousand and three independent film monster shortly after she made the request. Perry turned up on asking how he could help her with her movie. The two became friends four years later. Don't stop believing turned up again in the two thousand and seven finale of the Sopranos after which it shot right up the I tunes chart becoming be number three selling download twenty four years after its nineteen eighty-one release and the journey revival would only continue from there. It's at that revival did nothing to coax Perry back into public life but eventually he met a woman who would ultimately do so in two thousand and eleven. Patty Jenkins directed an episode of five policy of TV movies about breast cancer and its impact on people's lives. Perry was visiting Jenkins one day when she was editing and he was struck by one of the extras in a scene that featured real cancer patients. It was Kelly Nash. Los Angeles psychologist Perry asked for an email introduction but Jenkins wanted him to know nashes condition before reaching out she had been in remission but her cancer had returned and spread to her lungs and bones. At that moment I had the opportunity to send no email pullback. No harm no foul. Perry told rolling stone. Recently I would just go back to my safe life instead. I said send the email and an email turned into a phone call. That lasted more than five hours and soon enough. The two were living together. They had just a year and a half together before Nash passed away in December of twenty twelve.

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