Jack Hausman, Orson Welles, John Houseman discussed on Maltin On Movies

Maltin On Movies


Aged anyway, her. So he's doing that great lear- speech that ends how shop an acceptance to it is Joe have a thankless child. Out of the corner of is I, he sees this actress acting reaction all over the place. And he stops and there's magnificent voice. He says. Quota name. Idea. I want you to know. Small book. So. With the galleons and replied, your question. That I, I started to clean up my speech so to speak and learn how to speak in. So I was able to play many classics. Well, it stood you in good stead all this time. Thank your length of now. Since we're in talking about the theater in the nineteen thirties, it brings us to the first of the titans. With whom you crossed paths. And I'm speaking of Orson Welles that will talk about John houseman, his partner in crime, but Leonard you of made the proper correction. Because also and did his best work with Jack Ausman. Yes, I know many people feel that. Yeah. What was your first impression of Orson. Well, at curious, it was contradictory. I, he was, you know, a big fat guy. I all this hullabaloo about him. And. I, I met him when I always Jack Hausman who brought me into the mercury. And they brought me into this office and this was awesome. Had we chatted immediately took a very competitive attitude towards each other. Because I thought I was one of the world's great actors and also knew he was. And the egos, if so, clashed immediately. But the class was subterranean. It was a feeling about each other and of. A sub-conscious relationship with each other of. Of fall out of word. Show. I thought, what the hell job. At Gioja. She's a chew bankas holiday. I'd like to play it. So I better be polite. And also was polite except he sensed. He sensed. That I had an immediate competitive feeling about him. I won't say dislike, but there was no like. It was just competitive. If you're so good, let's it. Uh-huh. Did this. What by the way was my Brooklyn bringing up, you know, we'd play Punchbowl then f you, you. What do you think this spurred you onto. To do your best and to to want to show him. Well. In this sense? Yes, put the question. Well, because that may be explains why I I did what I did with my career. And we got on. And actually when I left the Mark mercury. Also was thinking of doing a Henry the full. And I came back to visit on one of his productions to visit the mercury guys and also. And he said to me in make up on stage effort of owns. When are you coming back? Which I consider that a compliment and very nice. His behavior was better than mine. Now. John passes. He doesn't do Henry the fourth at that time and I go onto things with it. So. There was a tribute. Play. At the mercury theatre for auction. Towards? Well, he was. Eight done a few years of work. Tribute at the theater. I was invited back each night was devoted to another aspect of all since Korea. I was invited back to the classical theatre. The early days the mercury and so on. And others came later. Now what was all over everybody dispersed and said, good night to goodbye. All on the stage. I went up to say to him. Braced me a great bay, a hug. Lean down. And wished. But in my. You son of a bitch. That's the last travels. Wow. There are no dull stories about Orson now. No. Now he was not dull, no people of a certain age. No, John houseman. Ironically, not as a producer, not as an entrepreneur, not as the head of the Juilliard school of acting, but as an actor himself in the movie, the paper chase, the TV series that followed in those endless commercials for Smith Barney where he said, they earn money the old fashioned way they earn it. So he had a latter day fame that I don't think he ever anticipated, but many people agree with you that he was really the man who sort of enabled Orson to do what he did both in theater and on radio and and many people who haven't studied history, don't know that. This is true. Hey. Relationship with houseman was strawberry. Because. It was routed and such..

Coming up next