Toni Morrison, Timothy, Tony discussed on Pure Nonfiction: Inside Documentary Film


Toni morrison the pieces i am profiling the nobel prize winning author her novels include the bluest eye soula sawn of solomon and beloved in the film. She talks about her motives to right sometimes uh-huh you nudged and sometimes you're just searching to make the writing interesting to me. It's not just writing. It's i. I don't know what this means that i have to find out timothy has a long history with morrison. He photographed her multiple. Times comes over three decades in two thousand six. She inspired him to undertake a film series called. The blacklist. Timothy directed three blacklist films in collaboration with elvis mitchell interviewing distinguish black figures from different fields. We hear the phrase blacklist or is that not you. Blacklists blacklist mean people to list that don't work anymore. Get treated like black people mothers others with his stories his cool. This isn't history to me black culturally. I had to fight. Virtually every single thing writing for me is keith. Who are we and what are we doing. Here just wanted to be somebody. I'm not the ambulance chasing the ambulance and never thought that i was only worth what they said. You get what you're caller event. Somebody else's problem. It's never been on really can be persuaded to think differently often identity human identity gone pimples. They talk about it. There's always going to kind of be an overreaction one way or the other for timothy's tony morrison film he collaborated with interviewer sandra guzman she was previously the editor in chief of latina magazine and conducted interviews for timothy's these films the women's list in the latino list the heart of tony morrison the pieces. I am is a long interview with the author. It's bands her childhood al`thood in lorain ohio her first career as a book editor and her effort to become a writer as a single mother of two sons. The film also includes testimonies from her friends and admirers like oprah winfrey. One of the characters says at the end of song of solomon and she was loved and she was does loved that is the anthem for any life. You can come to the planet and do whatever you do accomplish accomplish. Whatever you accomplish award no awards degrees no degrees successes no successes i think she captured the essence sense of what it means to be human to be alive and to have done well here on earth and we can say the same anything for her and she is my interview with timothy took place in may at the i._f._c. center enter before a live audience that included writer hilton ails who's interviewed in the film less than three months after our conversation. Morrison passed away at age eighty eight to begin. I asked timothy how he first met morrison in the early eighties that was <hes> <hes> when tar baby had just come out so <hes> song of solomon soula and bluest i had been published and tony was doing some press. <hes> i shot it for the cover of soho news which was kind of hipster weekly <hes> back then and you know we. We got along immediately lianne. We we talked a little bit about literature but particularly talked about the neighborhood. I lived in and i remember kind of walking tony to get a cab at the end and and we stayed in touch and then i started to do pictures for her for books <hes> particularly <hes> later on on a lot of the jacket covers and press stuff and <hes> i alluded to the time in two thousand six that was from the opera she in britain libretto for margaret gardner and we were doing pictures then <hes> for that and this beginning of the blacklist and so what were those sessions like come on what was the session with a photography session with her like compared to other authors that you think that it's always about getting the subject to trust you. Oh and that was something that yeah. Tony said to me a couple years ago. She said i. I let i let you see me you know and and the subject allows you to to get in there. It's never the other way around. You can never break down a subject really. I think i think the subject has to kind of let you in and.

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